Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Impoverished Boy Assisted an Elderly Man in Achieving His Dream, Unaware His Own Life Would Transform the Following Day
I thought I was just going fishing with an old man I’d met by chance, but the letter I received months later revealed a secret that would leave me forever changed—and with a gift that would fulfill my wildest dreams.
Living in an old trailer wasn’t as bad as it sounds, or at least that’s what I told myself. It was just me and Mom. We’ve been on our own since Dad left when I was six. Honestly, I barely remember him, but Mom… well, she never says much about him. We don’t talk about it.
“Adam, can you grab the mail?” Mom would call out from the couch. Her legs were often propped up on a pillow, and she winced with every movement. She’d been in a car accident years ago, and her limp made standing or walking for long periods difficult. Still, she worked long shifts at the gas station just to keep us afloat.
“Sure, Mom,” I would reply grabbing my coat. I didn’t mind doing the little things to help. It made me feel like I was making a difference, even if it was just fetching mail or fixing dinner.
Most days after school, I would find something to do outside the trailer—anything to take my mind off things. But little did I know that at the age of 13, my life would change.
That day, I was tossing an old, deflated soccer ball at some bottles I’d set up like bowling pins. It wasn’t much, but it helped pass the time.
Then, out of nowhere, this shiny black SUV rolled up next to the trailer. The windows were tinted, and I stared at it for a second, wondering who on earth would come around here in something that fancy.
The door creaked open, and out stepped this old man, probably in his 70s or 80s, leaning on a cane but with a warm smile on his face. He waved.
“Hey there,” he said, slowly walking over. “Mind if I take a shot?” He pointed at the bottles I had lined up.
I blinked. “Uh, sure, I guess,” I said, not really sure what to make of him.
He chuckled. “Tell you what, let’s make it interesting. If I get a strike, I’ll ask you for a favor, and you can’t say no. But if I miss, I’ll hand you a hundred bucks. Deal?”
My eyes practically popped out of my head. A hundred bucks? I could almost hear the register in my brain ringing. “Deal,” I said quickly.
The man leaned down, picked up the deflated ball, and with a flick of his wrist, tossed it. The thing rolled straight into the bottles, knocking every last one down. I stood there, jaw dropped. No way.
The old man laughed, clearly pleased with himself. “Looks like I won,” he said. “Now, for that favor.”
I swallowed, curious. “What do you want me to do?”
“Come fishing with me tomorrow at the old pond,” he said, like it was the most natural thing in the world.
“Fishing?” I scratched my head. That was it? Seemed like a strange request, but definitely not as bad as I thought it would be. “Uh, okay, I guess. Let me just ask my mom.”
He smiled and nodded. “I’ll wait.”
I jogged back into the trailer, opening the door quietly. Mom was asleep on the couch, her chest rising and falling slowly. She’d had a long shift at the gas station the night before, and I didn’t want to wake her. I stood there for a moment, biting my lip.
“She won’t even know,” I muttered to myself. “I’ll be back before she notices.”
Decision made, I tiptoed back outside. “Alright, I’ll go,” I told the old man, hoping I wasn’t making a mistake.
“Great,” he said, smiling even wider. “We’ll meet tomorrow at dawn. Don’t be late.”
The next morning, the old man picked me up bright and early in his black SUV. We drove in silence at first, heading out of town. The place looked like no one had been there in years, the water was still, with tall grass growing around it. There wasn’t a single person in sight.
“Why here?” I asked, looking around as I grabbed the fishing rods he’d brought.
The old man smiled softly as he set up the gear. “This place… it means a lot to me,” he said, his voice quieter than usual.
We cast our lines into the water and sat side by side. We didn’t talk much for a while. But after about an hour, with no bites on the line, I couldn’t help but ask.
“So… why did you want to come here to fish?” I asked, curious.
The old man glanced at me, his smile tinged with sadness. “Years ago, I used to come here with my son. He was about your age then.” His voice softened even more.
“We were poor, just like you and your mother. Didn’t have much, but we always found time to come here. Funny thing is, we never caught a single fish, no matter how hard we tried.”
I looked at him. “Where’s your son now?”
He was quiet for a long moment, staring out at the water. I noticed his eyes filled with tears.
“He’s gone,” the old man finally said, his voice heavy. “He got sick. The doctors said he needed an urgent operation, but I didn’t have the money. I couldn’t save him.”
I felt my chest tighten. “I’m sorry.”
He shook his head, blinking back tears. “That’s when I promised myself I’d never be in that position again. I worked, I hustled, I built myself up so I’d never feel that helpless. But… I never had another child.”
I didn’t know what to say at first, but something inside me knew what he needed to hear. I stood up, walked over to him, and placed a hand on his shoulder.
“Your son’s watching you from heaven,” I said softly. “And one day, he’ll see you catch that fish. You just can’t give up.”
He smiled at me, tears still in his eyes. “Thank you, Adam. You remind me so much of him.”
Just then, the float on one of our rods dipped suddenly into the water.
“Hey, the float!” I yelled.
The old man’s eyes widened, and we both grabbed the rod at the same time, pulling hard. But as we yanked, we both lost our balance, tumbling into the pond with a loud splash. I gasped as the cold water hit me, and the old man surfaced beside me, laughing like he hadn’t in years.
“Well, this is one way to catch a fish!” he cackled, struggling to hold onto the rod while I helped pull him up.
We finally managed to drag the rod back to shore, and to our surprise, attached to the end was the biggest fish I’d ever seen. The old man jumped to his feet, soaking wet but grinning like a kid.
“We did it!” he shouted, throwing his hands up in triumph. “We actually caught one!”
I couldn’t help but laugh, watching him dance around like he’d just won the lottery. We were soaked to the bone, but in that moment, it didn’t matter.
Later, he drove me back to the trailer. As we pulled up, he turned to me, his face soft and filled with gratitude.
“Thank you, Adam,” he said, his voice thick with emotion. “Today meant more to me than you’ll ever know.”
I smiled back. “Thanks for taking me fishing. It was fun.”
He reached out and patted my shoulder, a tear sliding down his cheek. “Take care, son. And don’t give up on those dreams.”
With that, he drove off, leaving me standing there with a strange warmth in my chest.
The next day, there was a knock on our trailer door. I opened it to see a man in a suit standing there, holding a package.
“Adam?” he asked.
“Yeah, that’s me,” I said, eyeing the man suspiciously.
“I’m Mr. Johnson, Mr. Thompson’s assistant. He asked me to deliver this to you,” he said, handing over the package.
I opened it right there on the spot and inside was more money than I’d ever seen in my life. My jaw dropped. “W-what is this for?”
Mr. Johnson smiled kindly. “It’s for you and your mother. Enough to move into a proper house, and for her medical care—rehabilitation, so she can walk without pain. There’s also a provision for private tutors to help you prepare for college. Your education, including one of the best colleges in the country, will be fully covered.”
I couldn’t believe it. My head spun as I tried to process what he was saying. “But… why?”
“Mr. Thompson was very moved by you, Adam. He sees a lot of his own son in you. This is his way of saying thank you.”
Tears filled my eyes. I couldn’t speak, so I just nodded, overwhelmed by the kindness of a man who had once been a stranger but had now changed our lives forever.
Several months passed since that fishing trip. One afternoon, I came home to find a letter on the table, addressed to me. I recognized the handwriting instantly. My hands shook as I opened it.
“If you’re reading this,” the letter began, “then I’m already watching you from heaven with my son.”
I stopped, swallowing hard, and read on.
“The day after we went fishing, I had heart surgery. I didn’t survive, but that’s okay. Meeting you gave me more peace than I ever thought possible. You reminded me of my son and showed me there’s still joy in life, even after loss.
I’ve left you everything you need to succeed. Remember what you told me that day by the pond? You’ll catch that fish too—just don’t give up, right?”
I wiped a tear from my cheek, staring at the words. I could almost hear his voice again, and see him smiling next to me by the water.
Fifteen years later, I stood on the porch of the house I built for Mom, watching her laugh with my kids in the yard.
“You never gave up, Adam,” she said, catching my eye with a smile. “He’d be proud.”
“I think about him a lot,” I admitted, my voice soft. “I hope I’ve made him proud.”
“You have,” she said gently. “He gave you everything, and look at you now.”
I smiled, glancing at my own home next door. “It wasn’t just the money, Mom. It was the reminder to never give up. I’ll carry that with me forever.”
She squeezed my hand. “And he’s watching. I know it.”
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