Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
My Dad Who Left 20 Years Ago Called from His Deathbed for a Final Wish — What He Asked Broke My Heart
When my estranged father, who left 20 years ago, called from his deathbed, I was torn between anger and curiosity. His final wish was something I never expected, and what he revealed about his disappearance shattered everything I thought I knew.
I was getting ready for bed when my phone buzzed on the nightstand. The number was unfamiliar, so I let it go to voicemail. Not even a minute later, a text came through: “ALICE, THIS IS YOUR DAD. PLEASE CALL, I AM IN THE HOSPITAL.”
A woman in her bedroom at night, looking at her phone | Source: Midjourney
My heart stopped. Dad? After twenty years? I sat on the edge of my bed, staring at the message. Part of me wanted to delete it and forget, but curiosity won. I called the number back.
“Hello?” The voice was weak, barely audible.
“Dad?”
“Alice, it’s me. I… I don’t have much time.”
“Why are you calling now?” My voice was harsher than I intended.
“I need to explain… to ask something of you. But please, don’t tell your mother.”
Doctors standing beside a hospital bed, looking concerned | Source: Pexels
There it was, the same secrecy that defined my childhood. “What do you want?”
He took a shaky breath. “I left because your grandfather, Harold, paid me to disappear. He hated me, thought I was a failure. He found someone else for your mom, someone better.”
I couldn’t believe what I was hearing. “Grandpa? He did that?”
“Yes. I was struggling back then. Addictions, bad decisions. Your grandfather saw a chance to get rid of me, and I took the money.”
A sick-looking man lying in bed | Source: Pexels
“So you just left us for money?” Anger bubbled up.
“I know it sounds awful. But I invested that money, built a business. It was all for you, Alice. To secure your future.”
“Why didn’t you ever come back?”
“Part of the deal. I couldn’t approach you or your mom. But I was there, watching. I saw your graduation, your volleyball games. I was always there, just… from a distance.”
I felt like my world was tilting. “Why didn’t Mom ever tell me?”
An old man in a hospital bed talking on a cell phone | Source: Midjourney
“I don’t know. Maybe she didn’t want you to hate him. Or maybe she thought she was protecting you.”
“What do you want now?” I asked, my voice trembling.
“I need to see you, Alice. One last time before I go. I’m at St. Mary’s Hospital.”
I didn’t know what to say. Could I face him after everything?
“Please, Alice. It’s my dying wish.”
The exterior of a hospital building at night | Source: Midjourney
The line went silent, and I sat there, the phone still in my hand, my thoughts tumbling. Should I go? What would I even say to him? I needed to think, but there was no time. He was dying.
The next morning, I called in sick to work and sat in my kitchen, staring at my coffee. Should I tell Mom? But he’d asked me not to.
I called my best friend, Jen. “Hey, can we talk?”
“Of course. What’s up?”
A woman talking on a cell phone | Source: Pexels
“It’s… it’s my dad. He called last night.”
“Your dad? The one who left?”
“Yeah. He’s dying, and he wants to see me.”
“Wow. How do you feel about that?”
“I don’t know. Angry, confused. He told me things, Jen. About my Grandpa.”
“Like what?”
“That my grandfather paid him to leave. He said he was there at my graduation, my games. But he couldn’t approach us.”
“That’s insane. What are you going to do?”
“I don’t know. He wants me to visit him, but I’m not sure I can.”
A woman in conversation on a cell phone | Source: Pexels
Jen was silent for a moment. “Maybe you should go. Get some answers. Closure.”
“I guess. But I don’t know if I’m ready to face him.”
“Take your time, but don’t take too long. If he’s dying…”
“I know. Thanks, Jen.”
After hanging up, I sat back, deep in thought. Jen was right. Maybe I did need closure. I couldn’t keep living with these unanswered questions. And if he really was dying… I had to see him.
A woman driving a car | Source: Pexels
I decided to go to the hospital. As I drove, memories of my childhood flashed through my mind. The good times before he left, the confusion and pain afterward. The way Mom never spoke about him, the unanswered questions that haunted me.
I walked into the hospital room, feeling the weight of years and unanswered questions pressing down on me. The beeping machines filled the stark room with an unsettling rhythm. My dad lay in the bed, looking more frail than I had ever imagined. His eyes lit up when he saw me, a weak smile forming on his lips.
An old man sitting up in a hospital bed | Source: Midjourney
“Alice,” he whispered, his voice barely audible.
“Hi, Dad.” I stood at the foot of the bed, not sure what to say. Anger and confusion swirled inside me, but seeing him like this, so vulnerable, made it hard to voice them.
“You came,” he said, relief evident in his eyes.
“I had to. I needed to understand why.”
“I know, and I’m so sorry for everything.” He reached out a trembling hand, and I took it, feeling the cold, fragile skin.
A young woman close to an old man in a hospital bed | Source: Midjourney
“Why did you do it, Dad? Why did you take Grandpa’s money and leave us?”
He sighed, a deep, rattling sound. “I thought it was the best way to secure a future for you and your mother. I was a mess, Alice. Addicted, broke. Your grandfather offered me a way out, a chance to give you a better life, even if it meant I couldn’t be part of it.”
“Do you know how much that hurt us? How much it hurt me?” Tears welled up in my eyes. “You missed everything, Dad. My graduation, my volleyball games, my entire life.”
A woman with tears in her eyes | Source: Midjourney
“I was there, Alice. Watching from afar. It broke my heart not to be with you, but I thought I was doing the right thing.” He paused, struggling for breath. “I tried to make it right. I invested the money, built something that I hoped would help you.”
“Why didn’t you come back when you were better?”
“I couldn’t. Part of the deal was that I had to stay away. But I wrote to you, Alice. Letters, every year. They’re in a safety deposit box. Here.” He handed me a small key. “After I’m gone, open it. You’ll find proof of everything, and the letters.”
A small key in the palm of a hand | Source: Pexels
I took the key, my fingers trembling. “Why now, Dad? Why tell me all this now?”
“Because I’m dying, and I can’t leave this world without you knowing the truth. I love you, Alice. I’ve always loved you.”
Tears streamed down my face as I gripped his hand. “I needed you, Dad. I needed my father.”
“I know, and I’m so sorry I wasn’t there. But I hope you’ll understand why I did what I did when you read those letters.”
An apparently comatose figure in a hospital bed | Source: Pexels
We sat in silence, holding hands, the machines’ beeping the only sound in the room. After a while, his breathing became more labored. He squeezed my hand one last time, and then he was gone.
I left the hospital feeling a mix of emotions. Relief, anger, sadness, and a strange sense of closure. The next day, I went to the bank and used the key to open the safety deposit box. Inside, I found stacks of financial documents and a bundle of letters, each one addressed to me, dated over the years.
A corridor of safety deposit boxes | Source: Midjourney
I took the letters home and spent hours reading them. Each one was filled with his regrets, his love, his hopes for my future. He wrote about the business he built, how he watched over me, how proud he was of my achievements.
By the time I finished the last letter, my anger had softened into a deep, aching sadness.
With the financial documents, it was clear that my father had indeed worked hard to secure my future. The money he left behind was substantial, enough to change my life. But it wasn’t just about the money. It was about understanding his choices, his sacrifices, and his love.
A woman takes up a hand-written letter | Source: Pexels
I knew I had to talk to my mom. I needed to know her side of the story. When I confronted her, she looked at me with sad eyes.
“I knew about the offer,” she admitted. “I didn’t stop it because I thought it was best for you too. I thought you deserved a better life than what your father could give you at that time.”
“Why didn’t you ever tell me?”
“I wanted to protect you from the truth, to let you remember him without bitterness. Maybe I was wrong, but I did what I thought was best.”
An elderly woman looking down thoughtfully | Source: Pexels
Her confession was another piece of the puzzle, helping me to understand the complex web of decisions that shaped my life.
In the end, I decided to use the money to start a scholarship fund in my father’s name. It felt like the right way to honor his memory and his efforts. It was a way to help others, just as he had tried to help me.
As I launched the scholarship, I felt a sense of peace. The past was complicated and painful, but it had brought me to where I was. And now, with the truth out in the open, I could move forward, honoring both my father’s love and my mother’s sacrifices.
A woman making calculations with a pen in hand | Source: Pexels
What would you have done in these circumstances? If you enjoyed this story, here’s another one for you about an older woman who is embarrassed to tell her son about the new man in her life, but the truth is exposed when she is rushed to the hospital.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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