10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind

Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.

But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.

Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.

But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.

However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.

Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.

The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.

Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.

“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.

He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.

The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.

But then, in an instant, the croissant magically turns into a pancake.

Getty Images

How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.

However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.

It’s clearly not the same pancake!

Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.

The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.

Getty Images

Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.

She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.

For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.

Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.

Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.

She bought it in a Los Angeles shop for $48.

The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.

During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.

‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.

That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.

Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.

The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.

According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.

Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.

Originally, it was meant as a playful prank for the film’s gag reel.

As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.

The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.

According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.

“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.

It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.

And just like that, an unscripted joke turned into cinematic magic.

Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.

For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.

Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.

When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.

Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…

Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.

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Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.

Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”

One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”

Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”

So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”

Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.

More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.

In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”

You could say it was love at first sight, in a friendly sort of way.

Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.

Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!

Wealthy Businessman Kicks Son out, Not Knowing the Boy Would Take over as Boss One Day – Story of the Day

When Christopher’s parents learned about his dreams of joining a fashion internship, they were dead set against his decision. They tried to persuade him otherwise and eventually kicked him out, not knowing the tables would be turned years later.

Christopher’s mother, beamed as she checked the college acceptance letters that had arrived for her son. Besides Dartmouth and Georgetown, Christopher had also made it to Stanford.

She couldn’t help but call out to her husband excitedly, and the parents rushed upstairs to their son’s room to make the big announcement. “Son! You got into Stanford! You did it!” his mother exclaimed.

“My boy! A Stanford man! I’m so proud of you!” his stoic father smiled as he hugged him tightly.

“Wait, guys!” Christopher tried to interject, but they weren’t listening. He should’ve guessed something was wrong when his parents, who weren’t the most affectionate or emotional people in the world, just barged into his room with smiles.

“Let’s call your grandparents! They’ll be so happy! Oh! And let’s plan a party!” Christopher’s mother went on as she joined her husband and son.

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

“Stop, Mom!” Christopher snapped. “Please stop!”

“What’s wrong, son?” his mother frowned, pulling away.

“You’re wrong!” Christopher screamed, pulling away from his father. “I’M NOT GOING TO STANFORD!”

“But son, Stanford is our family legacy. All men have to go there,” his father added while his mother nodded in agreement.

“Guys, stop! Stop acting like I’m not here! I’m not going to Stanford or any of those stupid schools! Alright?”

“Chris!” his mother warned.

“No, Mom, let me speak. I tried to tell you, but you shut me down,” Christopher continued, reaching for the papers on his bed. “This…I’m going to New York. I got a fashion internship.”

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

Richard face drained of blood, and his wife’s eyes bulged out in horror. “Fashion?! You must be out of your mind, boy!” h

“Dad, c’mon, you sell clothes! You should understand me!” Christopher tried explaining his dreams to them, but his parents turned a deaf ear to him.

“Well, I don’t make clothes, son! Or worse, design them! I own the business. I’m not going to spend my money on your stupid dream! You just proved we were failures as parents! You gotta leave! You’re worthless to me!” he said and walked away.

Christopher looked at his mother and held her hands. “Mom, it’s my dream. I need your help to convince Dad!” he pleaded with her.

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

But his mother pulled her hand away and shook her head. “Our dream for you was Stanford, son. Sorry, but you need to leave this house.”

Those words stung Christopher, and he could hear his mother’s cry from his bedroom. But he was not going to give up on his dreams. So he packed his bags, called his friend Johnny, and left.

Christopher had decided that he would fly to New York with Johnny once he graduated high school. And that’s what he did.

Johnny’s parents took him in after he was kicked out of his home. And a couple of months later, after the boys graduated high school, they flew to New York.

Johnny was attending NYU while working at his uncle’s brokerage firm, and Christopher received a small stipend for his fashion internship but worked nights at a 24-hour market to pay the rest of his bills.

Christopher hadn’t heard from his parents since the day they kicked him out. In fact, they didn’t even come to his graduation or to see him off at the airport.

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

Things got tough for him ever since he had left home, and it was only after arriving in New York that he realized the path to his dreams was not going to be all roses.

There was a final project for his internship, a chance to show a small line to big design houses, but the materials and fabrics were costly, and Christopher realized he couldn’t afford his vision. So he called his father to ask for help.

“What do you want?” Richard angrily asked, answering the phone. The man didn’t even bother asking his son how he was doing.

“Hey, Dad,” Christopher said timidly. “I need your help. Actually, there’s a big opportunity coming up for me.”

“On what? To choose different kinds of pink?” his father said sarcastically.

“No, it’s not that,” Christopher explained that he would get a job instantly if they liked his project at the internship, and they would also fund his future education.

But Richard’s tone remained stiff. “So why are you telling me this?” he sneered, and Christopher could imagine his father rolling his eyes.

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

“I need some money,” Christopher said, getting to the point. He was embarrassed but didn’t have a choice. “And it won’t be a handout. I’ll pay you back. The thing is, I can’t miss this chance. It might set me up for life.”

“Well, you’re an adult now, and you make your own choices. Deal with it. You should have gone to Stanford,” his father said heartlessly and hung up.

Christopher hadn’t cried months ago when his parents kicked him out, but he couldn’t contain his emotions any longer. He buried his face in the table before him and sobbed so heavily that Johnny came in.

“Hey, man, it’s OK,” he consoled Christopher and grabbed a chair. It took a few minutes for Christopher to calm down and narrate what had just happened.

“Why don’t you borrow some money from me?” Johnny suggested, but Christopher refused. He already owed their flat’s deposit to him.

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

“Is there any chance you could take a break? Like when you defer a class?” Johnny suggested. He noticed Christopher looked unsure. “Look, you could ask them, and hey, I have a spot at my uncle’s firm. You could take that job, make enough money, and finish your internship.”

Christopher never wanted to work in an office. He had aspired to become a fashion designer. But then Johnny explained to him that if he performed well at the job, his uncle’s firm would pay for his school.

Christopher was always good with numbers, and the money was tight, so he accepted the offer. “I think that’ll work,” he nodded nervously.

“Cheer up, dude! You’ll be back in fashion in no time,” Johnny encouraged him, and Christopher nodded, telling himself that he would make his own money. He didn’t need his dad’s help.

Ten years later, things changed. Richard couldn’t bring himself to look at the papers piled on his desk. He had to make a decision on whether to file for Chapter 13 or sell his company.

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

Richard could try to start over, but he didn’t want another defeat. He failed miserably as a father when Christopher refused to join Stanford to pursue fashion.

“I’m going to toss a coin! Let destiny pick,” the older man thought and nodded, hurling away the papers on his desk in frustration. Right then, his secretary barged into his office.

“Richard, I found something!” she said and placed a document on his desk, pointing her finger at a name in the papers.

Richard’s eyes widened in shock. “Is this…But that’s impossible,” he muttered, reading more. Richard couldn’t believe his son’s name was included in the buyer profiles.

“I made some calls and confirmed it, sir. It might be a sign from the universe,” she said. “He has a stellar reputation. He worked for a brokerage firm and climbed the ladder quicker than most people. He also bought other struggling businesses and expanded in clothes, accessories, and much more. I think it’s worth trying.”

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

Richard smiled and even let out a chuckle. His son was a real businessman, not a failed designer surviving on ramen in a dirty studio apartment. He decided he would sell the company to his son.

A few days later, Richard walked into his company’s conference room wearing a wide grin on his face. He confidently shook hands with everyone and smiled at his son.

Christopher sat surrounded by his lawyers. The negotiations had already taken place, and all that was left was signing papers. After that, the company would officially be his.

“Don’t be so serious, son. Your mother is outside. Let’s celebrate after we wrap this up,” Richard told his son, but Christopher didn’t accept the invitation.

His parents had refused to help when he needed it the most. It was Johnny who helped him get the job at the brokerage firm, and Christopher was so good that he quickly climbed to the top. But Christopher couldn’t return to fashion or the internship.

After Johnny moved out, Christopher had to keep working hard to afford living expenses, and his dreams of becoming a fashion designer disappeared. But when a deal with a clothes company came up, he saw a chance and took it.

For illustration purposes only. | Source: Pexels

For illustration purposes only. | Source: Pexels

The company grew so much that Christopher expanded it. And he also offered scholarships and internship programs to fashion students, healing his past wounds and somewhat fulfilling his dreams.

“Mrs. Pattison,” Christopher called his father’s secretary after signing the papers, ignoring his father. “Richard should leave the building. And yes, this applies to his wife too.”

“What the hell are you doing?” Richard jumped to his feet in anger.

“Please be quick, or I’ll be forced to call security,” he told Mrs. Pattison, looking his father in the eyes. “I have no interest in going to dinner with you two! But yes, I do want to know one thing…Am I worthy enough now?”

Richard’s eyes were red in anger, but he nodded and walked away, escorted by security guards.

Tell us what you think about this story, and share it with your friends. It might brighten their day and inspire them.

If you enjoyed this story, you might like this one about a father who tried to end his son’s craze for dance, only for the young boy to end up in the hospital.

This piece is inspired by stories from the everyday lives of our readers and written by a professional writer. Any resemblance to actual names or locations is purely coincidental. All images are for illustration purposes only. Share your story with us; maybe it will change someone’s life.

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