Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
My Nonverbal Son Warned Me about My Husband’s Secret by Writing ‘Dad Lies!’ on His Palm
My husband’s early returns from work — always when our nanny was still there — set off alarm bells. But it was our nonverbal six-year-old, Oliver, who saw the truth. His warning, “Dad lies!” written on his palm in marker, led me to uncover a secret that would shatter our world.
Oliver had always been more observant than most kids his age. Maybe it was because he couldn’t speak and his rare condition meant he had to find other ways to communicate.
A boy playing with toy cars | Source: Midjourney
Whatever the reason, he saw things the rest of us missed, like how his father had been acting strange lately.
I’d noticed the changes gradually, like watching shadows lengthen across our living room floor. First, it was the phone calls he’d take outside, pacing the garden with one hand pressed against his ear.
Then came the mysterious appointments that never quite lined up with his usual schedule. But what really set off alarm bells was when James started coming home early from work.
A man arriving home from work | Source: Midjourney
It should have been a good thing. More family time, right? But something felt off about it, especially since he always seemed to time his arrivals when Tessa, our nanny, was still there.
They’d be in deep conversation when I’d call to check in, their voices dropping to whispers when Oliver was around.
“He’s just being more involved,” my friend Sarah assured me over coffee one morning. “Isn’t that what you’ve always wanted?”
A smiling woman in a coffee shop | Source: Midjourney
I stirred my latte, watching the foam swirl into abstract patterns. “It feels different. Like he’s… hiding something.”
“What makes you think that?”
“He’s distracted. Distant. The other day, I found him sitting in Oliver’s room at midnight, just watching him sleep. When I asked what was wrong, he said ‘nothing’ so quickly it had to be something.”
A worried woman | Source: Midjourney
I’d managed to keep my darker suspicions at bay until one fateful Tuesday afternoon. I left work early after my last meeting was canceled. The house was quiet when I walked in, but I heard low voices coming from the living room.
James and Tessa sat on the sofa, heads close together, speaking in hushed tones. They jumped apart when they saw me like teenagers caught passing notes in class.
“Rachel!” James’s voice cracked slightly. “You’re home early.”
Two people sitting on a sofa | Source: Midjourney
“Meeting got canceled,” I said, the words falling flat between us. “Funny, sounds like yours did too.”
“Yeah, the client backed out last minute.” He wouldn’t meet my eyes, and Tessa’s cheeks flushed pink as she gathered Oliver’s art supplies.
I couldn’t focus on anything else after that. My thoughts spiraled as I prepared dinner, each clink of plates against the counter matching the pounding in my chest.
A worried woman | Source: Midjourney
What if all those early returns home weren’t about spending more time with Oliver? What if James and Tessa…
I couldn’t even complete the thought. The idea of him having an affair with our nanny made me physically ill, but once it took root, I couldn’t shake it.
I watched him across the dinner table, analyzing every gesture, every averted glance. Was he avoiding my eyes? Did that forced smile hide guilt?
A man eating dinner | Source: Midjourney
“How was your afternoon?” I asked, trying to keep my voice casual.
“Oh, you know. The usual.” James pushed his lasagna around his plate. “Just wanted to get home early to see my favorite people.”
The words that would’ve once warmed my heart now felt like daggers. I noticed Oliver watching us intently, his bright eyes darting between our faces as if reading a story written in our expressions.
A boy seated at a dinner table | Source: Midjourney
After dinner, James headed out to the garden — his convenient new escape, I thought bitterly. I was loading the dishwasher, my mind still churning with suspicions, when Oliver appeared at my elbow.
His small face was scrunched with worry, more serious than I’d ever seen him. He held up his palm, where he’d written two words in blue marker: “Dad lies!”
My heart stopped.
A shocked woman | Source: Midjourney
Somehow, seeing those words validated every fear I’d been trying to suppress. If Oliver had noticed something was wrong, it couldn’t just be my imagination. My sweet, silent boy who saw everything — what exactly had he witnessed?
“What do you mean, sweetie?” I kneeled to his level. “What kind of lies?”
He pointed toward the hall table, where James had left his briefcase. The same briefcase he’d been clutching like a lifeline lately, never letting it out of his sight.
A briefcase on a table | Source: Pexels
“Oliver, honey, that’s private—” I started to say, but he was already dragging it over to me, his eyes intense with purpose.
My hands trembled as I opened the clasp. Inside, instead of the expected lipstick-stained collar or hidden phone, I found a manila folder stuffed with medical documents.
The words jumped out at me like accusations: “Stage 3.” “Aggressive treatment required.” “Survival rate.”
“Oh God,” I whispered, the papers shaking in my hands.
A shocked woman looking at documents | Source: Midjourney
“Rachel?” His voice came from behind me, quiet and defeated. “I didn’t want you to find out this way.”
I spun around, tears already streaming down my face. “Find out? When exactly were you planning to tell me that you’re dying?”
He slumped into a kitchen chair, suddenly looking ten years older. “I thought… I thought if I could just handle it myself, get the treatments done quietly…”
“Quietly?” My voice rose.
A woman in a kitchen | Source: Midjourney
“Is that what all those early afternoons were about? Chemotherapy? And Tessa — she knows?”
“She figured it out,” he admitted. “I needed someone to cover for me when I had appointments. I made her promise not to tell you.”
“Why?” The word came out as a sob. “Did you think I couldn’t handle it? That I wouldn’t want to be there for you?”
A woman glancing to one side | Source: Midjourney
“I wanted to protect you and Oliver. I didn’t want to see that look in your eyes, the one you’re giving me right now.” He reached for my hand. “I didn’t want every moment together to be overshadowed by this… this thing inside me.”
“You don’t get to make that choice for us,” I said, but I let him hold my hand anyway. “We’re supposed to face these things together. That’s what marriage means.”
Oliver appeared between us, tears rolling down his cheeks.
A boy wiping away tears | Source: Pexels
He held up his palm again, but this time it read: “I love Dad.”
James broke down then, really broke down, pulling Oliver into his lap. “I love you too, buddy. So much. I’m sorry I scared you with all the secrets.”
I wrapped my arms around them both, breathing in the familiar smell of James’s aftershave, and feeling Oliver’s small body trembling against us.
“No more secrets,” I whispered. “Whatever time we have left, we face it together.”
A woman speaking to someone | Source: Midjourney
The next few weeks were a blur of doctor’s appointments and difficult conversations. I took a leave of absence from work, and we told Oliver’s school what was happening. Tessa stayed on, but now she was part of our support system rather than James’s confidante.
She brought us meals on treatment days and sometimes just sat with me while James slept off the effects of the chemotherapy.
“I’m so sorry,” she said one afternoon, her eyes filling with tears. “Keeping this from you was the hardest thing I’ve ever done. But he was so scared of hurting you…”
A woman speaking to someone | Source: Midjourney
“I understand,” I told her, and I did.
James had always been our protector, the one who checked for monsters under Oliver’s bed and kept spare batteries for every flashlight in case of storms. Of course, he’d try to shield us from this too.
Oliver started drawing more than ever. He filled pages with pictures of our family — always together, always holding hands.
A boy drawing pictures | Source: Midjourney
Sometimes he drew James in a hospital bed, but he always drew him smiling, surrounded by love hearts and rainbows. His art teacher told us it was his way of processing everything, of telling the story he couldn’t voice.
One day, I found James sitting in Oliver’s room, surrounded by these drawings. His eyes were red-rimmed, but he was smiling.
“Remember when we first found out about his condition?” he asked. “How terrified we were that he’d never be able to express himself?”
A solemn man sitting in a child’s bedroom | Source: Midjourney
I sat down beside him, picking up a particularly colorful drawing. “And now he’s teaching us how to communicate better.”
“I was so wrong, Rachel. About all of it. I thought being strong meant handling everything alone, but look at him.” James gestured to a drawing where Oliver had depicted our family as superheroes. “He knows that real strength is letting people in, letting them help.”
That night, as we watched Oliver arrange his latest masterpiece on the refrigerator, James squeezed my hand.
People holding hands | Source: Pexels
“I was so scared of ruining what time we had left,” he whispered. “I didn’t realize that hiding the truth was already doing that.”
I leaned my head against his shoulder, watching our silent, wise little boy. “Sometimes the hardest things to say are the ones that need saying the most.”
Oliver turned to us then, holding up both palms. On one, he’d written “Family.” On the other: “Forever.”
And in that moment, despite everything, I believed him.
A hopeful woman | Source: Midjourney
Here’s another story: When Belinda jokes about skipping her SIL’s strict vegetarian Thanksgiving, her husband Jeremy’s reaction is anything but funny. His sudden anger and ultimatum for divorce leave her reeling. As tensions rise, Belinda uncovers secrets that hint at a far deeper betrayal hidden in plain sight.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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