Fred and Alice’s wedding was moments away when Fred’s mother, Valerie, recognized Alice’s father, Felix, as a past one-night stand. Shocked, Valerie stopped the wedding, revealing that Fred and Alice could be half-siblings. Fred was furious and devastated, unsure how to proceed.
Valerie explained that years ago, during a breakup with Fred’s father, Walter, she had a brief fling with Felix. She feared Fred wasn’t Walter’s biological son. When Alice overheard, she collapsed in shock and insisted on canceling the wedding.
A DNA test later confirmed that Fred was indeed Walter’s son. Relieved, Fred and Alice eloped in Las Vegas, leaving the drama behind.
After their intimate Vegas wedding, Fred and Alice returned home, relieved to have left the chaos behind. They began their married life with a sense of newfound peace, thankful the DNA test had cleared up any doubts about their relationship. The couple hosted a small celebration with close family and friends to mark their union, but it was a far cry from the grand wedding they had originally planned.
Fred’s mother, Valerie, apologized again for the confusion, but Fred and Alice reassured her that everything worked out for the best. They spent the next few months adjusting to married life, grateful for the close bond with both families and the fresh start they had been given.
The drama of their disrupted wedding faded into the background, and they focused on building a future together, cherishing the new chapter that began in Vegas.
After their Vegas wedding, life settled into a comfortable rhythm for Fred and Alice, but family drama wasn’t completely behind them. A few months later, tensions arose between Valerie and Alice’s parents, Felix and Melinda. Valerie couldn’t quite shake the awkwardness of her past connection with Felix, and occasional awkward comments at family gatherings sparked discomfort.
Meanwhile, Alice’s mother, Melinda, started feeling uneasy about Valerie’s past with Felix, even though it was years ago. This led to subtle jabs and passive-aggressive remarks during family events, making holiday gatherings tense. Fred and Alice often found themselves playing peacemakers, trying to smooth over the lingering awkwardness.
On top of that, Walter—Fred’s father—began to feel somewhat sidelined after the DNA drama. Even though he’d been a dedicated father, he sometimes sensed that Felix’s presence in Fred’s life cast a shadow over their father-son bond. This led to moments of tension between Walter and Fred, as Walter grappled with lingering insecurities.
Despite the occasional family drama, Fred and Alice remained united, working through each issue as it came. They focused on creating their own family traditions, establishing healthy boundaries, and ensuring that the past didn’t overshadow their future.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
Leave a Reply