Over the course of her over 60-year career, the mysterious Claudia Cardinale captivated audiences with her amazing presence on television.
Cardinale took the frequently traumatized way to celebrity, not intending to become one of the best performers of the golden period.
She claims that “cinema saved my life,” having outlasted the now-deceased Hollywood heavyweights with whom she had a screen share and continuing to thrive at the age of 86.
To find out more about this actress and her current endeavors, continue reading!
Being a legendary actress, Claudia Cardinale will always be remembered for her contributions to Italian and foreign cinema. Throughout her career, she was able to portray a wide range of complex and memorable roles thanks to her talent, beauty, and versatility.
At eighteen, the Italian actor, who was born in Tunisia, was pursuing her education to become a teacher. The young woman with shiny hair and French accent was enthralled with the pomp of an Italian film festival when she emerged from the crowd and won the title of Most Beautiful Italian Girl in Tunisia.
“I was assisting my mother and Italian government representatives in setting up an Italian film festival in Tunisia. I wasn’t supposed to be there, but I couldn’t help but stare at the females on stage. I was called the Most Beautiful Girl in Tunisia after someone shoved me out onto the platform, the girl claimed.
The young lady had numerous offers from producers after winning a trip to the Venice film festival, which she saw as a portentous adventure.
Cardinale said in an interview that he initially declined the offers because “it’s like a man.” If you respond positively to him when he approaches, he will eventually move on. He will long to have you if you say no.
She turned down most of the offers because she was expecting a child.
She was unable to turn down one producer, though. The young Cardinale caught the eye of renowned Italian producer Franco Cristaldi, who is recognized for his work on feature films from the 1950s through the 1990s, and he signed her to an 18-year contract.
A personal contract was also in place; after their marriage, Cristaldi completely controlled her, molding her into an Italian Brigitte Bardot and deciding on her social life, weight, and movie choices.
Cristaldi insisted that her pregnancy remain a secret.
It was revealed that her son was her younger brother.
Cardinale had a few small parts in Italian movies under Cristaldi’s direction, and because of her roles, she was known as “Italy’s sweetheart.”
Her breakthrough performance came in the romantic comedy Three Strangers in Rome in 1958. Seven months into her pregnancy—which, at Cristaldi’s insistence, she kept a secret—Cardinale fell into a depressive state and contemplated suicide, appealing with her management to end the arrangement.
Rather, Cristaldi sent her to London to avoid media attention, fabricating a story about her absence to acquire English for a part.
Her baby Patrick was born in 1975, and she claimed that the father of the kid, an unnamed male, had raped her. Her son Patrick’s identity remained concealed until he reached nineteen.
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‘Violent truth’
The graphic details of Cardinale’s pregnancy were revealed to Italian writer Enzo Biagi in 2017, when she confided in him, saying, “A man I didn’t know, much older than me, forced me to go up to car and raped me.” It was horrific, but the most lovely thing is that the violence gave birth to my amazing Patrick. In actuality, I chose not to have an abortion even though it was a really difficult scenario for a single mother.”
“That man came back and demanded that I have an abortion when he found out that I was pregnant,” she went on. I didn’t consider getting rid of my creature for even a second!
“With him I was practically an employee, a subordinate who was paid a month for the four films I made a year: I didn’t even call him by name, but by surname,” Cardinale claimed of Cristaldi, who ruled her life. I felt enslaved, and my parents were enraged.He was the one with me since I wasn’t in love. In summary, Cristaldi was undoubtedly a fantastic producer, but it’s best to ignore his personal life.
Her career was unaffected by her toxic marriage to Cristaldi, which she ended in 1975.
The natural beauty immediately established herself as one of Italy’s top actors after starring alongside Omar Sharif in the French-Tunisian film Goha. After that, she landed major parts in Rocco and his Brothers (1960) and The Leopard (1963), costarring with Burt Lancaster, which won an Oscar. She also acted in Marcello Mastroianni’s film 8½. Award-winning director Martin Scorsese lists both of the movies in which she portrayed an apparently unachievable object of desire as two of his top 12.
‘Italian Brigitte Bardot’
Gaining traction in Hollywood, she starred alongside David Nivens in The Pink Panther and then shared the screen with legends like John Wayne and Rita Hayworth in 1964’s Circus World.
Credit: Shutterstock
Celebrated for her performance as a sex worker in the 1968 American-Italian production Once Upon a Time in the West, Cardinale shared the screen with legendary actors Charles Bronson, Jason Robards, and Henry Fonda.
However, viewers relished witnessing Cardinale, also known as the Italian Brigitte Bardot, alongside her friend and adversary, the genuine Bardot, in 1971’s The Legend of Frenchie King. What distinguished her from Bardot? “I always thought it was more erotic to leave some room to imagination, hinting at things rather than showing everything,” she claimed, denying ever having shown up nude in a movie.
Hollywood work was lucrative but also demanding. Cardinale stated that she wished to leave the patriarchal Hollywood system in a Life article that called her “the most admired international film star since Sophia Loren.” Cardinale made the statement, “If I have to give up the money, I give it up,” in reference to the lesser pay in Europe. I want to avoid seeming cliche.
‘You cannot stop time’
Cardinale stated that even if her career has slowed down, she is content to have left the sexualized spotlight behind.
My childhood desire was to travel the world. And I succeeded in doing it. I never changed my appearance, and I never was nude. It really doesn’t appeal to me. Since time cannot be stopped, I prefer to be who I am,” Cardinale remarked.
In 1975, Cardinale wed Italian director Pasquale Squitieri, with whom he remained until his passing in 2017. Claudia is the couple’s lone daughter.
Cardinale responded to reports in 2022 that she had been hospitalized against her will. She claimed to be in good health and to be living adjacent to her family in France. I also want to wish a pleasant summer to all.
As the goodwill ambassador for the Defense of Women’s Rights at UNESCO, Cardinale is actively working with the organization these days.
Claudia Cardinale led a life that was both successful and terrible. We hope she stays well and that her tale will continue to motivate other women, as it is truly admirable. What is your preferred Cardinale movie?
Kathleen Turner, star of ‘Serial Mom’ fame, has gone through ups and downs
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner had a rough childhood and was raised in a family with four children. She and her siblings grew up in London and Venezuela. Tragedy befell her at a young age when her father unexpectedly passed away while mowing the lawn of their Hampstead home.
A month after his death, Kathleen and her family were kicked out of the UK by the foreign service. Turner and her family settled in Springfield, Missouri, all still grieving their father and former home.
As an adult, Tuner finally found peace after moving to New York to pursue an acting career. She had some luck on the stage – but her biggest break came when she was given the role of the femme fatale in 1981’s “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
In 2005, Turner starred as Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” and it was then that their marital problems came to a head. Turner became incredibly busy while acting in eight shows a week, and it appeared that Weiss wanted no time with her when she was home.
The two divorced amicably during that time, and Turner earned a Tony award nod for her time as Martha.
The star had also earned an Oscar nomination back in 1987 for her role in “Peggy Sue Got Married.” Her film career was alive and well during the 80’s, and she starred in a variety of blockbusters–three of which were with Michael Douglas.
However, in the 90’s, Kathleen experienced a medical setback when her neck locked, not allowing her to turn her head. In addition, her hands swelled to the point where she stopped being able to use them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
The culprit of her misfortune wound up being rheumatoid arthritis, a condition characterized by the swelling of the lining in our joints. This condition causes chronic pain that can be difficult to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
Kathleen turned to pills and alcohol to manage her pain. While these helped her to work, the habit of drinking vodka led to her passing out during rehearsals for shows like 2002’s stage production of “The Graduate.”
The actress actually went to rehab after the show stopped running, only to find out that she was not an alcoholic. Instead, she was told she simply needed to better track when she was taking her medications and their side effects.
Today, the actress does yoga and pilates to help manage the pain and remain nimble.
While better managing her pain, the star really began to focus on her stage career. While she did still occasionally work in film and television, she returned largely to her roots as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.s
Focusing on theatre has also allowed the star the time to focus on her passions of hers, such as volunteering at Amnesty International and working for Planned Parenthood of America.
A staunch feminist for most of her life, Turner has turned her doubtless strength to uplifting other women throughout her life. Her ideologies are represented clearly in Gloria Feldt’s 2008 memoir of the star, Send Yourself Roses.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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