Nobody sang “God Bless America” better than Kate Smith

In a stirring display of patriotism, Dean Martin and Kate Smith joined forces on ‘The Dean Martin Show’ to deliver a medley of beloved American classics, accompanied by a choir of singers and dancers clad in vibrant red, white, and blue attire. Alongside Martin and Smith, esteemed stars Barbara Eden, Mickey Rooney, and Norm Crosby graced the stage, each adding their own flair to the performance.

Kicking off with a spirited rendition of “Yankee Doodle Dandy”, Martin and Smith set the stage aglow with their infectious energy, seamlessly transitioning into the timeless melody of ‘My Old Kentucky Home’ as the ensemble joined in harmoniously. The medley reached its crescendo with a rousing rendition of ‘You’re a Grand Old Flag,’ filling the air with patriotic fervor as the stage came alive with singers and dancers.

As the audience cheered in appreciation, Martin stepped forward to evoke the spirit of President Roosevelt’s iconic introduction of Kate Smith three decades prior, paving the way for her poignant rendition of “God Bless America”. Known as “The Songbird of the South”for her stirring performances during World War II, Smith delivered a soul-stirring rendition of Irving Berlin’s masterpiece, her voice soaring to breathtaking heights as the orchestra swelled in accompaniment.

The audience was captivated by the sheer majesty of the performance, a testament to the enduring power of patriotic music to unite and inspire.

“The Dean Martin Show”, a staple of television from 1965 to 1974, showcased the era’s biggest stars in its 264 episodes, with Dean’s signature hit “Everybody Loves Somebody” serving as its timeless theme song. Bringing the evening to a close with this beloved tune, Martin and Smith left an indelible mark on the hearts of viewers, their collaboration standing as a poignant reminder of the beauty and pride of being American.

I MARRIED A WIDOWER WITH A SMALL SON – ONE DAY, THE BOY TOLD ME THAT HIS REAL MOM STILL LIVES IN OUR HOUSE

The antique clock in the hallway chimed six times, its resonant tones echoing through the quiet house. I knelt on the living room carpet, building a precarious tower of blocks with Lucas, my five-year-old stepson. He giggled, his small hands clumsily placing a wobbly blue block atop the structure.

“Careful, Lucas,” I cautioned, “it’s going to fall!”

He squealed with delight as the tower swayed, then crashed to the ground. But his laughter died abruptly, replaced by a wide-eyed stare directed towards the hallway.

“Mom says you shouldn’t touch her things,” he whispered, his voice barely audible.

A shiver ran down my spine. “What do you mean, sweetie?” I asked, my voice trembling slightly.

He pointed towards the hallway, his eyes fixed on something I couldn’t see. “Mom says she doesn’t like it when you move her picture.”

My heart pounded in my chest. “Lucas,” I said, forcing a smile, “your mom… she’s not here anymore, remember?”

He shook his head, his expression serious. “No, she is. She’s right there.”

I followed his gaze, my eyes scanning the empty hallway. There was nothing there, just the familiar antique furniture and the framed photographs on the wall. Yet, Lucas’s words echoed in my mind, fueling a growing unease that had been plaguing me for weeks.

It had started with a simple whisper, a chilling confession as I tucked him into bed one night. “My real mom still lives here,” he had said, his voice barely a breath.

I had dismissed it as a child’s overactive imagination, a way of coping with the loss of his mother. But then, strange things started happening. Lucas’s toys, meticulously tidied away, would reappear in the middle of the living room floor. Kitchen cabinets, carefully organized, would be found rearranged overnight. And the photograph of Ben’s late wife, Mary, which I had moved to a less prominent spot, kept returning to its original place on the mantelpiece, perfectly dusted.

I had tried to rationalize it, to attribute it to forgetfulness or coincidence. But the incidents grew more frequent, more unsettling. And Ben, my husband, seemed oblivious, or perhaps, deliberately blind to it all.

“Ben,” I had said one evening, my voice trembling, “have you noticed anything… strange happening around the house?”

He had looked at me, his brow furrowed. “Strange? Like what?”

I hesitated, unsure how to articulate the growing sense of unease that had taken root in my heart. “I don’t know… things moving, things changing…”

He had chuckled, dismissing my concerns with a wave of his hand. “You’re just tired, darling. It’s been a stressful few weeks.”

But I wasn’t tired. I was terrified.

Now, as I looked at Lucas, his eyes wide with conviction, I knew I couldn’t ignore it any longer. Something was happening in this house, something I couldn’t explain.

“Lucas,” I said, my voice gentle, “can you tell me more about your mom? What does she look like?”

He tilted his head, his brow furrowed in thought. “She’s very pretty,” he said. “She has long hair, like you. And she wears a white dress.”

My blood ran cold. The description matched the woman in the photograph, the woman whose presence seemed to linger in every corner of this house.

“And what does she say to you?” I asked, my voice barely a whisper.

Lucas looked at me, his eyes filled with a chilling seriousness. “She says she’s not happy,” he whispered. “She says you’re trying to take her place.”

A wave of fear washed over me, so intense it almost brought me to my knees. I looked around the room, the familiar furniture suddenly seeming menacing, the shadows deepening in the corners. I felt a presence, a cold, unseen gaze fixed upon me.

I had married a widower, a man I loved deeply, a man who had welcomed me into his life and his home. But I had also married into a house haunted by the past, a house where the presence of his late wife lingered, a house where I was not welcome.

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