A few weeks ago, I started noticing something wasn’t right. Every day after I came home from the hospital, Liam would look exhausted. And not just the normal kind of tired; he seemed drained, distant.
His eyes were heavy, his usual energy completely gone. Worse, he looked scared. Every time I asked him what was wrong, he’d just shrug and say, “I’m fine, Mom.”
But I knew better. “Liam, honey, are you sure? You don’t seem yourself. Is something going on at school?”
“No, Mom. Everything’s fine.” He’d try to force a smile, but I could see through it. Something wasn’t right.
I asked Grace, our nanny, if she had noticed anything. She had been helping me out for nearly a year, watching Liam after school when my shifts ran long.
“Oh, he’s probably just tired from school,” she said casually. “You know how kids are—always a little moody. Plus, I don’t let him watch too much TV, so he might be sulking about that.”
I wanted to believe her, but the worry in my gut kept growing. Liam wasn’t a moody kid, and I knew when something was off with him. I just couldn’t figure out what.
I tried to brush it off as me being paranoid and overthinking things like I sometimes do. But every day, Liam seemed to retreat further. It was like something was bothering him and it was eating at me.
One evening, after I tucked Liam into bed, I found myself staring at the security camera footage. We had a couple of cameras around the house for safety reasons, but Grace didn’t know about them. I hesitated at first, feeling guilty, but I just couldn’t shake the feeling that something was wrong.
When I watched the footage, my heart sank. Every day, around lunchtime, Grace would take Liam out of the house. She always told me they stayed in, but the cameras told a different story.
They were gone for hours, and when they returned, Liam looked dirty, tired, and distant. Once, I even saw Grace wipe him down before I got home, like she was hiding something.
I watched as she placed a finger to her lips and made a “shush” motion toward Liam. My hands tightened around my phone. What was going on? Where was she taking him?
By the fourth day of watching this play out, I couldn’t take it anymore. I had to know the truth. I took a personal day from work, telling my boss I’d be late, and parked down the street, waiting for Grace and Liam to leave.
Just as I had expected, around noon, they slipped out of the house and walked down the street. I followed them at a distance, my heart racing. They turned down an alley I hadn’t noticed before, and at the end of it stood an old, run-down building.
Grace unlocked a rusty door, and they both disappeared inside.
I hesitated for a moment, fear gnawing at me. But I had to know what was going on. I crept closer, my hands trembling as I pulled out my phone and hit record. The door creaked open slightly, and I slipped inside, my footsteps barely audible.
The air was damp and musty. It smelled like a place forgotten by time. I saw a set of stairs leading down into what looked like a basement, and my stomach twisted in knots. What was Grace doing with my son down here?
I waited a few minutes, then crept closer. The door was slightly ajar, so I slipped inside, barely breathing. The place smelled musty, like old, forgotten things. I could hear muffled voices from below. I descended the dusty stairs, careful not to make a sound.
And then… I froze.
When I reached the bottom of the stairs, my heart was pounding so hard I thought it might burst. But what I found wasn’t what I expected at all.
The basement that I’d imagined as cold, dingy, and sinister wasn’t. Instead, it was a large, brightly lit room. The walls were freshly painted in a soft olive green — my favorite color.
I blinked, trying to process what I was seeing. Along the walls were shelves lined with fabric, thread, buttons, and ribbons, neatly organized. There was a small wooden desk in the corner covered with sewing patterns carefully laid out.
“What…?” I breathed, completely at a loss for words.
I hadn’t noticed Liam yet, but when I looked up, there he was, standing next to a giant cardboard box in the middle of the room. His eyes went wide when he saw me.
“Mom!” he gasped, frozen in place.
Grace, who had been folding fabric at the desk, dropped the cloth she was holding and stared at me, just as startled. For a few seconds, none of us said anything. I couldn’t make sense of the scene in front of me. All the fear, all the suspicion — it melted into confusion.
“What is this?” I stammered, my voice shaky. “What’s going on here?”
Liam glanced nervously at Grace, then back at me, biting his lip like he always did when he was anxious. He took a small step forward. “I… I was trying to surprise you, Mom.”
“Surprise me?” I repeated, looking around the room. None of this was making sense. “Why—what is all this?”
Liam shifted from foot to foot, his small hands clasped in front of him. “I found your old diary, the one from when you were a kid,” he said softly.
“You wrote in there about how you wanted to be a seamstress… how you wanted to design clothes and have your own brand.”
I felt a sudden tightness in my chest. That diary. I hadn’t thought about it in years. I could barely remember writing in it, let alone the dreams I had poured into its pages.
Liam continued, his voice growing even quieter. “But you said your parents pressured you to become a doctor instead, and it made you really sad.”
I felt my breath catch. I’d buried those feelings so deep that I had almost forgotten they ever existed. And here was my son, reminding me of a dream I’d long since given up.
Liam’s eyes filled with worry as he looked at me. “I just—I just wanted to make you happy, Mom.” His voice cracked a little, and he swallowed hard. “So, I asked Grace if she could help me build you a place to sew. We’ve been coming here after school every day to work on it.”
I stared at him, my heart full but aching all at once. “Liam…” I whispered, barely able to speak.
“We saved up,” he added quickly, pointing to the big cardboard box. “We got you something special.”
I glanced at Grace, who was now standing beside him, her hands clasped in front of her. She smiled, a bit sheepishly, but there was warmth in her eyes.
“He used all the money he saved from birthdays,” she explained softly. “We found a thrift store with a sewing machine that was in great condition. It turned into a little project for us.”
A sewing machine? My heart felt like it might burst. I slowly sank to my knees, my hands trembling. I couldn’t believe what I was hearing.
“You did all this for me?” I whispered, looking up at Liam. Tears were already spilling down my cheeks.
Liam’s eyes filled with worry. “Mom, are you okay?”
I couldn’t speak. All I could do was nod. He rushed to me, wrapping his little arms around my neck and holding me tight. I hugged him back just as fiercely, my tears falling freely now. My sweet boy. My beautiful, thoughtful, loving boy.
Grace walked over and quietly lifted the cardboard box. Beneath it was a shiny, modern sewing machine. I gasped, my hand flying to my mouth. It wasn’t just some old thing from a thrift store — it was practically brand new.
“We wanted to surprise you, but I guess we didn’t plan on you finding out like this,” Grace said with a soft chuckle.
Liam pulled back slightly, looking into my eyes. “I just wanted to make your dreams come true, Mom,” he whispered. “Like you always do with mine.”
His words hit me like a wave, and I broke down, sobbing harder than I had in years. Not out of sadness, but out of pure, overwhelming love and gratitude.
I had spent so long thinking that part of my life was over, that I had missed my chance. But here was my son, this little boy with a heart bigger than I ever realized, bringing that dream back to life for me.
“I don’t know what to say,” I whispered through my tears. “Liam, you… you’ve given me more than I could ever ask for.”
Liam smiled, his own eyes shiny with unshed tears. “I just want you to be happy, Mom.”
I pulled him into my arms again, holding him close, as if I could protect this moment forever. The room, once an old forgotten basement, was now filled with light, hope, and love.
And all because my little boy believed in me, even when I had stopped believing in myself.
Kathleen Turner, star of ‘Serial Mom’ fame, has gone through ups and downs
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner had a rough childhood and was raised in a family with four children. She and her siblings grew up in London and Venezuela. Tragedy befell her at a young age when her father unexpectedly passed away while mowing the lawn of their Hampstead home.
A month after his death, Kathleen and her family were kicked out of the UK by the foreign service. Turner and her family settled in Springfield, Missouri, all still grieving their father and former home.
As an adult, Tuner finally found peace after moving to New York to pursue an acting career. She had some luck on the stage – but her biggest break came when she was given the role of the femme fatale in 1981’s “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
In 2005, Turner starred as Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” and it was then that their marital problems came to a head. Turner became incredibly busy while acting in eight shows a week, and it appeared that Weiss wanted no time with her when she was home.
The two divorced amicably during that time, and Turner earned a Tony award nod for her time as Martha.
The star had also earned an Oscar nomination back in 1987 for her role in “Peggy Sue Got Married.” Her film career was alive and well during the 80’s, and she starred in a variety of blockbusters–three of which were with Michael Douglas.
However, in the 90’s, Kathleen experienced a medical setback when her neck locked, not allowing her to turn her head. In addition, her hands swelled to the point where she stopped being able to use them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
The culprit of her misfortune wound up being rheumatoid arthritis, a condition characterized by the swelling of the lining in our joints. This condition causes chronic pain that can be difficult to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
Kathleen turned to pills and alcohol to manage her pain. While these helped her to work, the habit of drinking vodka led to her passing out during rehearsals for shows like 2002’s stage production of “The Graduate.”
The actress actually went to rehab after the show stopped running, only to find out that she was not an alcoholic. Instead, she was told she simply needed to better track when she was taking her medications and their side effects.
Today, the actress does yoga and pilates to help manage the pain and remain nimble.
While better managing her pain, the star really began to focus on her stage career. While she did still occasionally work in film and television, she returned largely to her roots as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.s
Focusing on theatre has also allowed the star the time to focus on her passions of hers, such as volunteering at Amnesty International and working for Planned Parenthood of America.
A staunch feminist for most of her life, Turner has turned her doubtless strength to uplifting other women throughout her life. Her ideologies are represented clearly in Gloria Feldt’s 2008 memoir of the star, Send Yourself Roses.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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