Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
My Entitled Daughter-in-Law Demanded That I Retire – My Son Gave Her a Reality Check
Hi there, I’m Nora, and if you told me a week ago I’d be venting on the internet about my family drama, I would have laughed. But here I am, a private school teacher with 13 years under my belt, caught up in a pickle that sounds straight out of a daytime drama.
A smiling senior woman pictured while gardening | Source: Shutterstock
I’ve been teaching at a small, tight-knit school where I know every kid by name because we have only one class per grade. It’s a special place, really, far better than the nearby public schools, which, to be honest, aren’t great.
I plan to retire in about five years, give or take, content with my quiet life and looking forward to restful golden years. Now, onto the juicy part of this saga: my relationship with my daughter-in-law, Christine.
A woman not talking to her mother-in-law | Source: Getty Images
To put it mildly, we’re not exactly chummy. At family gatherings, we orbit each other like distant planets, exchanging polite nods more out of necessity than desire. Civility, that’s our unspoken agreement.
But last week, Christine dropped a bombshell that could have made headlines in our family’s newsletter, if we had one. It turns out, my adorable grandson Joey is set to start school next fall, and guess what? He’ll be landing right in my class.
A little boy standing in a sunflower field | Source: Unsplash
You’d think that’d make things simple, right? Nope, Christine had other plans. She cornered me one evening and demanded, yes, demanded, that I retire! “It was your plan anyway,” she said, her tone sharp as a tack. “A couple of years won’t change anything.”
I was gobsmacked! The audacity floored me so much I couldn’t muster a single word in response. Over the next few days, she didn’t let up. Every chance she got, she started arguments, trying to corner me into agreeing to retire sooner. It was relentless.
A mother-in-law and daughter-in-law arguing | Source: Getty Images
Just when I thought I’d have to cave, my son David stepped in. Ah, David, always the peacekeeper. He’d been watching this drama unfold and had cooked up a plan to give Christine the reality check she clearly needed.
So, David had been pretty quiet about his plan, but boy, did he make a splash when he put it into action. That day, as Christine strolled into the house, her eyes nearly popped out of her head.
An angry woman | Source: Getty Images
There she saw David, Joey, and a young lady I hadn’t met before, all huddled around a book on the living room couch. The scene was so calm and focused, it was like they were in their little bubble.
Christine, looking like she’d just walked into a surprise party meant for someone else, asked in a bewildered tone, “David, what’s going on here?”
Man, woman, and young boy reading | Source: Pexels
David, bless him, didn’t miss a beat. He was as calm as a cucumber when he said, “I’ve decided that Joey will be taking private lessons at home. Since you’re uncomfortable with him being in my mother’s class, this is the only viable solution. We’ll be hiring private tutors for all his subjects.”
Christine blinked a few times, obviously trying to process this new arrangement. David wasn’t done yet, though.
A surprised woman | Source: Getty Images
He continued, “This means we’ll need to redirect our finances to cover the cost of his education. It’s quite expensive, so we’ll have to cut back on our vacations, restaurant dates, and even our clothing budget. Essentials only from now on.”
“Also, since we’ll be economizing, we’ll need to cut back on takeout, which means more cooking at home for you.” The weight of his words seemed to slowly sink in as Christine’s face fell.
A woman looking at her husband during a conversation | Source: Getty Images
She started to argue, her voice tinged with desperation, “But that’s unnecessary! Can’t we just reconsider this?”
David, however, stood firm. He stressed the importance of Joey’s education and maintaining a peaceful family environment, not letting Christine’s objections sway him. “It’s important we do this the right way,” he insisted.
After the storm settled a bit and Christine had a few days to mull things over, something seemed to click in her.
A little boy completing his homework | Source: Unsplash
Maybe it was seeing David going to such lengths to sort out Joey’s education, or perhaps the realization of what her demands had been doing to everyone.
Whatever it was, the change was clear and somewhat surprising. One quiet evening, she approached me, something akin to humility in her eyes—a look I wasn’t accustomed to seeing on her.
A distressed woman lost in her thoughts | Source: Shutterstock
“I’m sorry for the trouble I caused,” she admitted, her voice soft, reflecting a genuine sense of remorse. “I didn’t realize the pressure I was putting on everyone, including you. I hope we can find a way to move forward from here.”
Hearing those words from Christine, well, it felt like a breeze after a stifling heatwave. I appreciated her coming forward to apologize; it wasn’t easy and it showed a willingness to mend fences. “Of course,” I replied, “let’s move forward, for Joey’s sake.”
A woman talking to her mother-in-law | Source: Shutterstock
So, as the next school year rolled around, Joey started attending the private school as we had originally planned. The air between Christine and me had shifted.
It wasn’t like we were about to become best friends, but there was a newfound civility, a professional courtesy almost. We both understood that whatever our differences, Joey’s well-being was the priority. It wasn’t perfect by any means, but it was a start.
A senior teacher sitting in her office | Source: Pexels
The school year was off to its usual bustling start, but little did I know, a small unexpected moment was about to ease some of the tension between Christine and me.
About a month in, Joey, my grandson, won a class art contest—a little victory, but a big deal for him. Proud as ever, I set up a display of his artwork in the classroom, a colorful testament to his creativity.
The little boy and his artwork | Source: Pexels
One afternoon, as Christine came to pick Joey up, something unusual happened. She paused—a rare break in her usually brisk pace. Her eyes landed on the display, and a softness appeared on her face that I hadn’t seen before.
“Joey did this?” she asked, her voice mixing surprise with a hint of pride.
“Yes, he’s quite talented,” I replied, seizing the chance to maybe, just maybe, bridge the gap between us a bit more. “He’s been very enthusiastic about art. It’s wonderful to see him express himself so creatively.”
A dragon drawing on a piece of paper | Source: Unsplash
There was a moment, just a heartbeat or two, where Christine looked from the artwork back to me. I saw something in her eyes then—maybe gratitude, maybe a reassessment of old judgments. “Thank you,” she murmured, “for encouraging him.”
That small exchange felt like a window opening after a long time closed. From that day on, our interactions took on a slightly warmer tone.
Woman looking at artwork | Source: Pexels
Christine began to inquire more about Joey’s day-to-day activities, showing a genuine interest beyond mere pleasantries. She even volunteered for a class event, which, believe me, was a surprise to all of us.
As the months rolled by, Joey flourished. Not just in his artwork, but academically and socially too. Every day, he seemed to come home with a new story, a new success, a new friend.
Boy doing a project with classmate | Source: Pexels
Seeing him thrive like this, I felt a deep reassurance about my decision to stay on as his teacher. It was proof that despite the personal challenges, my professional integrity and dedication to these kids could make a real difference.
By the end of the school year, while Christine and I hadn’t exactly turned into friends, there was mutual respect, cemented by our shared commitment to Joey’s wellbeing.
A little boy drawing at a desk | Source: Pexels
It wasn’t a perfect resolution—life seldom offers those—but it was a functional truce, a testament to the compromises we’re willing to make for the sake of the children we love.
Looking back, what began as a standoff that might have ripped our family apart, turned into a journey of understanding and compromise.
It showed me that sometimes, it’s the little things—like a child’s artwork—that can bridge the biggest divides. So, here we are, not perfect, but a family that’s learning, growing, and, most importantly, sticking together.
A happy family posing for a picture | Source: Getty Images
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