The circular objects in the image are typewriter erasers, which came with a small brush attached to them. The erasers themselves were made from soft materials like rubber, often infused with fine abrasives. This combination was designed to remove ink or typewriter ribbon marks from paper, which was the primary method of correcting mistakes on a typed document before the advent of white-out or digital editing.
The small brush on the tool was used to gently whisk away the eraser debris left on the paper after erasing a letter or a word. In an age when typewriters ruled the business and literary worlds, these tools were essential to maintaining neat and professional-looking work.
A Snapshot in Time: When Eraser Brushes Were Essential
In the early to mid-20th century, typewriter eraser brushes were as common as correction fluid or digital backspace keys are today. Every typist had one on their desk because, despite their best efforts, mistakes in typing were inevitable. These tools allowed for correcting those mistakes without the need to retype an entire page.
Back then, carbon paper was often used for making copies, so one mistake could mean fixing multiple sheets of paper. Eraser brushes were gentle enough not to tear the delicate paper yet effective at removing the erroneous marks.
The Decline of the Typewriter Era
With the rise of word processors and eventually personal computers, typewriters quickly became obsolete. The need for such specialized erasers faded as digital text allowed for instantaneous editing. Today, these erasers are rare relics from a time when typing was both an art and a skill.
For those who remember using these eraser brushes, seeing one today is a nostalgic reminder of how much the world of writing and editing has evolved. The phrase “times have changed” has never been truer, especially when comparing the challenges of fixing a typewritten document to the ease of modern technology’s undo button.
A Niche Collectible
Today, typewriter eraser brushes are considered collectibles. Vintage enthusiasts and lovers of retro office supplies value them for their simplicity and effectiveness. Though they might look out of place in a world dominated by digital devices, they serve as a testament to the ingenuity of past generations and the unique tools that once supported everyday tasks.
Conclusion: From Essential to Obsolete
For those who’ve never used a typewriter, the tools in the image may seem mysterious, even obsolete. But for older generations, they bring back memories of the rhythmic clacking of typewriter keys, the smell of ink ribbons, and the ever-present eraser brush sitting nearby. Times have certainly changed, and as with many innovations, what was once essential now rests quietly in history’s archives.
ABANDONED STRAWBERRY HOUSE
The house was built in the late twenties of the twentieth century for banker Dimitar Ivanov and his wife Nadezhda Stankovic. Inside, the accent falls on the red marble fireplace located in the reception hall. There is a podium for musicians as well as crystal glasses on the interior doors. Several bedrooms, beautiful terraces, a large study room and service rooms. Nothing of the furniture is preserved, but it is known that high-class Sofia citizens at that time preferred furniture from Central and Western Europe.
The exterior is a large front yard facing the street, separated from the sidewalk by a beautiful wrought iron fence. Triple staircase to the entrance of the house, but it is always very impressive that the special portals for carriages and carriages on both sides of the yard. Even today I imagine a cabin with the members of the invited family entering the yard of the house through one portal, the horseshoes and the carriage staying in the space behind the house, specially tailored for that while waiting for the reception to end and go out again from the yard, but through the other portal.
Banker Ivanov’s family lived happily in the house, at least until 1944. After the war the property was nationalized and originally housed the Romanian embassy. Later in the year, the house was a commercial representation of the USSR in Bulgaria, as well as the headquarters of the administration of various communist structures of unclear purpose.
In the 90’s the house was restituted and returned to the heir of the first owner-banker Dimitar Ivanov. Since 2004 the property is the property of the director of Lukoil-Valentin Zlatev, who has not yet shown any relation to this monument of culture. The beautiful house once ruined for decades and is now sadly sad.
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