On a rainy night, a very pregnant taxi driver stops to help a homeless, injured stranger, offering him a free ride to the hospital. But the next morning, she wakes to find a convoy of SUVs outside her house, with suited men waiting to share a truth that would change her life forever.
Cleo had been driving taxis for two years, and by now, she’d seen it all: late-night partiers stumbling home, families racing to catch flights, and remorseful businessmen smelling of cocktails and secrets. She’d heard countless stories, dried her fair share of tears, and learned to read people before they even stepped into her cab.
As she navigated the foggy streets, her back ached, and her unborn baby’s kicks pressed against her ribs—a reminder that her night shifts were becoming unbearable. But bills didn’t stop for anyone, so she whispered to her belly, “Just a few more hours, love. Then we can go home to Chester.” She imagined her orange tabby, Chester, sprawled on her pillow at home, shedding fur everywhere as her only true companion.
Her mind drifted back to the heartbreak she’d endured only five months ago. She had excitedly shared the news of her pregnancy with her husband, Mark, only to learn he’d been unfaithful with his secretary, Jessica, who was also expecting. Within weeks, Mark left and drained their bank account, leaving Cleo to work endless shifts to provide for the baby alone.
Late one night, just three weeks before her due date, Cleo’s attention was caught by a lone figure struggling along the highway’s shoulder, drenched by the rain. Even from afar, he looked injured and desperate. He staggered in tattered clothes, one arm held to his chest as he dragged himself forward. Cleo knew she should keep driving, especially at eight months pregnant, but her instincts overruled caution. Rolling down her window, she called out, “Are you okay? Need help?” The stranger, visibly shaken and bloody, pleaded, “I just need to get somewhere safe.”
Without hesitation, Cleo unlocked her doors, and he collapsed into the backseat. She quickly realized they were being followed as headlights flooded her mirror. The stranger urged her to drive faster, and Cleo’s adrenaline kicked in, navigating the winding streets with the skill of a seasoned driver. Finally, she lost the trailing car and brought her passenger to the hospital. As he thanked her, she thought little of her good deed, returning home exhausted and ready for a quiet morning.
But that morning was anything but quiet. Cleo awoke to the rumble of engines outside and peeked out her window to see a dozen sleek black SUVs lining her street. Men in suits formed a perimeter around her home, and Cleo’s heart raced, wondering if she’d unwittingly helped a criminal the night before. Opening the door cautiously, she was met by a man in an expensive suit who introduced himself as James, head of security for the Atkinson family.
“Last night, you helped their son, Archie,” he explained. The name Atkinson meant little to Cleo until she realized they were the Atkinsons—the billionaire family with a tech empire. Their son had been kidnapped three days earlier, and the ransom set at 50 million dollars. She had saved Archie on the side of the road without knowing it.
Archie explained, “They moved me last night, and I saw my chance to escape. But I wouldn’t have made it without you. I owe you everything.” His father, overcome with gratitude, handed Cleo an envelope with a check that made her knees nearly give out.
“Please, sir, this is too much,” she stammered, but Mr. Atkinson insisted, “It’s a small thank you for saving our son.” He glanced at her belly and added gently, “No child should enter this world with a mother who has to worry about providing.” Tears filled her eyes as Archie leaned forward, proposing that she lead a new community safety initiative for their family’s foundation—an effort to foster more people like her, who aren’t afraid to help.
As Cleo accepted their offer and watched the convoy leave, she felt an unfamiliar lightness, the burdens of the past few months finally lifting. She glanced down at her belly and whispered, “Did you hear that, little one? Mommy’s night job just got a big upgrade. And we did it by just being human.”
Sarah Jessica Parker forced to defend herself, public attacks naturally aging beauty and casual style
Carrie Bradshaw once said, “I will literally be the old woman who lived in her shoes.” But Sarah Jessica parker, the woman behind the sassy fashionista in the hit TV show Sex and the City, isn’t Jimmy Choo-obsessed, nor does she have a wardrobe filled with playful tutus and strappy slip dresses.Still, the confident 58-year-old actor is fielding hateful comments from the online population who can’t understand why her real-life persona is contrary to the modish character she plays.
Parker, who’s proudly aging naturally, gracefully and beautifully, answers back saying it’s, “just not a reality,” and “there’s no time to let vanity enter.” Keep reading to learn what the lovely Sarah Jessica Parker has to say about aging!
In her role as the beloved Carrie Bradshaw in Sex and the City, Sarah Jessica Parker served some iconic, oftentimes controversial, looks.
While her character was considered a trendsetter by women across the globe, Parker in real life, has never been an urban chic fashionista.
“It’s not the way I perceive myself, I’m so low on my priority list,” said Parker, who raised three children while she was at the height of her career. “I love beautiful clothes and am privileged enough to have access to a lot them…but they also are returned the next day. They are not mine.”
Keep reading to learn more…
In real life, the star admits that she prefers a practical style, which isn’t always popular with the demanding public.
Unsexiest woman alive
In fact, in 2008, she was named in a Maxim poll as the “Unsexiest Woman Alive.”
Shortly after she earned the unflattering title, Parker spoke with Grazia (through Daily Mail) and said, “Do I have big fake boobs, Botox and big lips? No. Do I fit some ideals and standards of some men writing in a men’s magazine? Maybe not.” The star of And Just Like That continues, “Am I really the unsexiest woman in the world? Wow! It’s kind of shocking when men…It’s so brutal in a way…”
Years later, the Family Stone star appeared at the Met Gala wearing a golden Dolce & Gabbana gown that she paired with an ornate nativity headpiece.
Though she was serving an incredibly unique and smashing look, the public only commented on her aging.
“Aye real quick, how old is Sarah Jessica Parker because [her] skin look like tree bark and I’m confused,” said one. A second writes, “Is that Sarah Jessica Parker? Oh gosh she looks so old and worn out.”
Then, in 2021, the Hocus Pocus star was lunching with Bravo star Andy Cohen. Parker was makeup free, her silvery hair tied back in a braided ponytail.
It didn’t take long for the online population to start spitting hate over her appearance. But, Cohen, who also has a head of grey hair, defended his friend.
“We were at lunch and there was a paparazzi, and she’s sitting next to me, white hair,” said Cohen, 55, of his own white hair. Speaking on The Drew Barrymore Show, he continued, “All the articles were ‘Sarah Jessica Parker, she’s going gray’ and ‘She looks old,’ and it was insanity.
Here she is sitting next to me, who’s gray, and people just missed the mark totally. It was so misogynistic.”
Following that, Parker spoke with Vogue and had a lot to say about unforgiving people and their unrealistic standards of beauty.
“There’s so much misogynist chatter… I’m sitting with Andy Cohen, and he has a full head of gray hair, and he’s exquisite. Why is it okay for him?” Parker continues, “‘She has too many wrinkles, she doesn’t have enough wrinkles.’ It almost feels as if people don’t want us to be perfectly okay with where we are, as if they almost enjoy us being pained by who we are today, whether we choose to age naturally and not look perfect, or whether you do something if that makes you feel better.
She adds, “I know what I look like. I have no choice. What am I going to do about it? Stop aging? Disappear?”
Influential woman
The title of “unsexist woman alive” was upstaged in 2022 when the Golden Globe winning actor was named by Time as one of its “100 most influential people in the world.”
Though she may not dress the part of Carrie, who’s the star of the TV series, two films and the reboot And Just Like That, Parker does own her own designer brand, SJP, which – not surprisingly – started as shoes.
The star of Honeymoon in Vegas is also a TV producer, the co-founder of the spirit “The Perfect Cosmo by SJP” (Carrie’s favorite drink), is involved with publishing, fragrances and has a wine label – to name a few.
And just like that
Also unlike Carrie and her hapless search for romance, the star of Footloose found love in the early 1990s with Matthew Broderick, the star of Ferris Bueller’s Day Off.
The adorable couple – who starred on Broadway together – married on May 19, 1997, and have been together ever since.
When Broderick was asked to reveal his secret for a successful marriage, he answered: “I don’t know the secret at all, but I, you know, I’m very grateful and I love her. It’s amazing. I mean, I can’t believe that it’s been that long. It doesn’t feel like it.”
The couple share three kids, son James Wilkie (born 2002), along with twins Tabitha Hodge and Marion Loretta Elwell, who joined the family in 2009, via surrogate.
The woman leads a busy life and should be applauded for her accomplishments, not criticized.
Speaking natural in real life, the actor said, “It’s not how I think of myself, and I think it’s probably the healthier approach.”
She continues, “It’s just not a reality – not when you have three kids, and you go to the market, and there are hungry people at home. You have a limited time to do it. There’s just no time to let vanity enter into that.”
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