Kayla, grieving the loss of her grandmother, is about to return home after the funeral. But when she boards her flight, she has no idea about the nightmare that awaits her. In a case of mistaken identity, Kayla has no choice but to rely on her wits and quick thinking to get her out of the hot water she has landed in.
After a few long days of grieving, I was ready to collapse into my own bed. I was six months pregnant and emotionally drained from my grandmother’s funeral.
People at a funeral | Source: Pexels
The funeral had been tough, but it was a poignant farewell to a woman who had been my rock throughout my life.
“Are you sure you want to leave today?” my mother asked as I packed my suitcase. “You can wait a few days if you need to just sit with this loss.”
I smiled at her sadly.
A person packing a suitcase | Source: Pexels
“I know,” I said. “But I need to get back to work and back to Colin. You know my husband barely manages without me.”
“I suppose it’s a good idea for you to be in your comfort zone,” she said. “But Dad and I have decided that we’ll stay until the end of the week just to sort Gran’s house out and finalize anything that needs to be done. I know that Dad cannot wait to get home.”
“I just wish that Gran would have been around to see the baby,” I said, rubbing my hand along my belly. “That’s what I’ve wanted all along.”
A woman holding her stomach | Source: Unsplash
“I know, honey,” my mother said. “I wish that you and Gran could have had that moment, but it’s okay, darling. At least you were here in the end when Gran needed you the most.”
Now, I was navigating the long lines at the airport. I had hated flying, but it was much easier to fly home than drive. I couldn’t manage spending twelve hours in a car with my bladder fighting me.
People at an airport | Source: Unsplash
But finally, I made it onto the plane, ready for the journey back home to my husband.
“I’ll take that, ma’am,” a flight attendant told me, reaching out for my bag.
“Thank you,” I said, settling into my seat, my body aching for rest.
A pregnant woman sitting in an airplane | Source: Midjourney
“Oh, I hate flying,” the woman next to me said. “It’s the worst. But I hate driving too. I should have just stayed home.”
I almost laughed because I agreed completely. I hated the turbulence that came with flying. It made me feel uneasy and anxious, as though I was absolutely losing control with each jolt.
But still, as I sat back, ready for the flight to take off and take me home, I couldn’t shake the feeling that someone was staring at me.
A man sitting in an airplane | Source: Midjourney
Turning around, I noticed a man sitting a few rows behind, intently watching me. His gaze was unsettling, but I dismissed him as one of those people who judged a pregnant woman for traveling.
Soon after, the hum of the engines became a soothing background noise as the plane began its ascent.
“Finally,” the woman beside me said. “Let’s just get home.”
Little did I know that a nightmare was about to unfold.
Ten minutes after we were airborne, a flight attendant approached me, her gaze hard.
“Excuse me, ma’am. Could you please come with me?” she asked, her perfume taking over my nose.
I had no intention of waking up and walking anywhere, but her authoritative tone left no room for argument, and with a deep sigh, I unbuckled my seat and followed her to the clearing just off the bathroom.
Immediately, her demeanor changed.
“You need to get on your knees immediately!” she commanded, nodding to someone that I couldn’t see.
“What? Why? What happened?” I exclaimed, completely shocked.
“Now,” she said simply.
I was shocked and confused, but something in her voice made me comply. As I knelt, I couldn’t understand what was going on. Nothing felt right. I hadn’t done anything wrong.
Just then, the man who had been staring at me earlier entered.
“Where is the golden necklace you stole?” he demanded, his voice threatening.
“What are you talking about?” I asked. “I didn’t steal anything! I am just returning from my grandmother’s funeral!”
He made a clucking sound with his tongue and produced a set of photographs and documents.
“This is you at the museum two days before the exhibit was moved to the hotel. This is you at the hotel foyer where the necklace went missing. We tracked you up to this plane after you ran away from the hotel.”
I looked at the pictures, and they were hazy. But they did bear a striking resemblance to me, though there were clear differences.
“Look,” I said suddenly. “The woman in these photos has a tattoo or scar or something on her wrist. Look! I don’t have anything like that!”
The man examined my wrists, his icy hands pulling roughly.
“See? No tattoos. No scars. Nothing. You have the wrong person!” I insisted. “And I’m pregnant! The woman in the photos is not!”
I felt a sudden wave of fear for my baby. In the heat of the moment, my baby lay there silently.
“But that could be a disguise,” he replied, not entirely convinced.
I thought about whether the police would be waiting for me at the airport. And whether I could get away from this. I just wanted to get home to Colin.
It was as if thinking about my husband had summoned the baby to wake up.
A sudden kick in my stomach made me act impulsively. Without thinking, I took the man’s hand and placed it on my belly.
“No, you can’t fake this,” I said.
He sighed, looking visibly relieved but also very embarrassed.
“I’m so sorry. You look very much like her. I was convinced that we were on the right track. I have to wait until we get back on the ground to actually deal with this.”
“Look, I get it,” I said. “But I’m not her. I’m just trying to get home,” I said, feeling a bit calmer, while I tried to get back onto my feet.
Little did we know that it was time for part two of the nightmare.
Suddenly, the flight attendant pulled out a gun.
“Enough! Both of you, hands behind your backs!”
She reached into her pocket and pulled out zip ties, tying the man’s hands first with her back to me.
“You’re not as foolish as you look,” she said to him. “You were right about tracking me to the plane. But you had the wrong person in mind.”
Another surge of fear for my baby made me act. With her standing with her back to me, I saw an opportunity and kicked her as hard as I could.
She stumbled and fell, dropping the gun. She had been distracted talking to him that she didn’t finish zip tying the man’s hands yet, so he tackled her.
As he did, we caught a glimpse of the gold necklace hanging around her neck.
“She’s the real thief,” he said, securing her. “She’s been posing as different people to avoid capture. I have no idea how she managed to board this flight as an attendant.”
“You are so brave for doing what you did. Thank you for getting to her before she tied me,” he said.
“I was just afraid for my baby,” I said, sighing. “I acted on instinct.”
The rest of the flight was a blur of apologies from the man and explanations to the crew and authorities.
“I’m Detective Connor,” he said, shaking my hand after.
The woman was arrested upon landing, with about fifteen police officers standing at the gate, just waiting.
“I am truly sorry for what you’ve been through,” Connor said.
“Just explain to me what happened,” I replied, needing closure before heading out to find my husband.
“We’ve been tracking this woman for months. She’s been stealing valuable items and using various disguises to evade capture. I received a tip that she would be on this flight. When I saw you, and your hair, I just thought…” he trailed off, clearly remorseful.
“You thought I was her,” I finished for him. “Well, I’m not. And now you know.”
“Yes, and I’m very sorry for the mistake, Kayla. I hope you can forgive me.”
Despite the ordeal, I felt a strange sense of relief.
As I walked through the doors and saw my husband standing there with yellow tulips and a wide smile on his face, I instantly felt at peace.
“Welcome home,” he said, pulling me into a hug. “I’m so glad you’re back.”
We drove home in silence, just enjoying being in each other’s presence again. But when we got home, I sat down with Colin and told him everything that had happened on the flight.
“Are you okay?” he asked me, his eyes wide. “Are you shaken? Should we take you to a doctor to make sure everything is okay?”
“No,” I replied. “I’m absolutely fine, I just wanted to come back home to you.”
My husband put his hands on my stomach and smiled at me.
“I’m glad you’re home,” he said again, kissing my stomach.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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