Her childhood was unconventional as she grew up during the Blitz period. Years later, Joan thought it would be great to do a film about growing up with her sister during this era but her dream hasn’t come to fruition.
Even so, the actress said that as the war continued, she was just a child, unaware of the bombings. She would collect fragments of debris from the streets and store them in her cigar box each evening.
She narrated, “We would draw silly pictures of Hitler. We were evacuated 10 or 12 times. We would be in the tube stations, and people would be playing their harmonicas and singing.”
Despite the chaos, Joan Collins, who deeply loved her Anglican Briton mother, realized that she did not want to live the same life her mom lived. “Mummy was the 1950s housewife, very sweet and very docile,” she explained.
The actress had previously said that her mom, who died at the age of 52, died very young because she never spoke back to her husband.
oan also shared that “My father never held back. I saw him as a figure to look up to more than my mother. I loved her to death but I considered her to be weak and I hated all the clothes she wore.”
The actress’s mother consistently wore girdles, suspenders, stockings, tight bras, underpinnings, and corsets, which Joan disliked.
Joan, who took great care in her appearance, was voted the most beautiful girl in England by a photographers’ association when she was 18. The newspapers asked her dad what he thought about her daughter’s position, he replied, “I’m amazed. She’s a nice-enough-looking girl. Nothing special.”
At this point, Joan had departed from the Royal Academy of Dramatic Art (RADA), developed a passion for French existentialism, admired the singer Juliette Gréco, and dreamed of becoming a celebrated stage actress.
The focus on her appearance was even more as her film career progressed. Joan disclosed that in Hollywood, she faced daily verbal abuse.
She recounted how the makeup department gave her cruel nicknames, such as “Moonface” due to her baby fat and “Scrawny Legs” because of her thin legs. She remembered the department as a large group of women who were particularly harsh and unkind to her.
In 1955, when Joan was 22, she was cast in the biopic about Evelyn Nesbit “The Girl in the Red Velvet Swing.” Evelyn was considered the most beautiful girl in New York and Joan was to play her.
So, one day, Joan who was still in the Juliette Gréco character and thus had no makeup and was in jeans with scruffy hair, ran into her director Richard Fleischer. Richard told her, “Oh my God, I cannot look at you – you are so ugly. You cannot go around like that – put some makeup on, get your hair done, get a proper dress.”
Just like her career, Joan’s personal life also had its ups and downs. When she was 17, still a virgin, the actress went on a date with actor Maxwell Reed, aged 31. He spiked her rum and coke and raped her.
“I was 17, but I was the equivalent mentally of 12. We did not have sex education,” she noted. Shockingly, Maxwell became the actress’s first husband. When asked why she chose to marry her rapist, she answered, “Because I come from a generation where if you’re going to have sex, you get married.”
However, when Joan learned that Maxwell wanted to give her to older men for $12,710 a night as long as he could watch, she stood up for herself. After four years of marriage, the two divorced.
In her 20s, Joan lived with several men, including Sydney Chaplin and Arthur Loew Jr. She also had an affair with a married man who was eight years her senior. As much as the man was handsome, witty, and fascinating, Joan said the affair was utter hell and she never engaged in one again.
Hollywood men, including directors, also went after Joan. In her autobiography, “Behind the Shoulder Pads,” the actress revealed that she was offered the role of Cleopatra in Joseph L. Mankiewicz’s film on the condition that she got along well with Buddy Adler, the head of Fox, and the chairman of the board.
Joan, who was disgusted by how directors and producers, who were old men, took advantage of young actresses said no as she never wanted to be a part of that. The Cleopatra role was given to Elizabeth Taylor.
In the memoir, Joan also wrote about having an abortion when she got pregnant at 26 with her fiancé, Beatty, a 23-year-old aspiring actor. Beatty convinced Joan to abort the baby because it would derail their career. Years later, she agreed with him, noting that if he had a baby, she would have had to say goodbye to her acting career.
Joan went on to have three kids. She had her first two, Tara and Alexander with her second husband, Anthony Newley. Her last child, Katyana, is with her second husband Ron Kass.
The actress’s third husband was Peter Holm and she is now married to Percy Gibson. Joan announced that she was engaged to Percy in December 2001 and then the pair got married in 2002 at Claridge’s Hotel in London, in front of 175 guests.
The lovebirds, who have been together for over two decades, met when Joan was featured in a touring production of the play “Love Letters” in the US. The Peruvian-born theatre manager also helped Joan edit her novel “Star Quality.”
Many people talked when Joan and Percy Gibson got married because he is 32 years younger than her. Joan was asked to comment on their age difference and she said, “Well, if he dies, he dies.”
In 2023, Joan gushed about her marriage saying that she had found the right man in her current husband, “Oh yes, Percy and I have been married for 21 years and it’s just marvelous.”
Now, Joan is in her 90s but she still has the youthful charm and grace in her presence. When asked if she has had cosmetic procedures done, the actress simply said with a shrug, “If people want to think I’ve had surgery, then…”
Joan added, “You can tell [I haven’t] because I have lines and jowls. When I see women around my age I think: ‘Oh, really? My gosh, I look quite a bit…’ I think I look pretty good!”
The movie star is also needle-phobic and just couldn’t bring herself to have cosmetic work done on her. She attributes her good look, perfect complexion, and youthfulness to staying out of the sun.
She added that her mom taught her to moisturize her skin and use night cream, something she also taught her daughters. Joan’s lovely appearance still amazes her fans.
In April 2024, Joan enjoyed a fun photoshoot for the New York Times Fashion and Style section. She looked radiant in a white cardigan paired with an off-white cap and black trousers.
A fan, amazed by her look, said, “You are simply iconic, dear one, and stunning ♥️♥️.” Another admirer commented, “You always look so beautiful♥️.”
When she turned 90 in 2023, a fan shared a picture of Joan taken on the streets. The actress was in a modest flower dress styled with a white coat, a sun hat, and sunglasses. The fan captioned the post, “Happiest of birthdays to Dame Joan Collins, who turns 90 but easily looks at least 20 years younger.”
At 91, Joan Collins is content with both her personal and professional life. Retirement isn’t on her agenda, as she plans to continue working because of her passion for it.
She acknowledged that performing her one-woman show and staying in a different hotel each night was exhausting, but the enthusiastic audiences and her love for her work made it a rewarding experience.
Our Late Father Left Me Only an Apiary While My Sister Took the House and Shut Me Out, but One Beehive Hid a Game-Changing Secret — Story of the Day
I lost everything in one day—my job, my home, and then my father. At his will reading, my sister took the house and shut me out. I was left with nothing but an old apiary… and a secret I never saw coming.
Routine. That was the foundation of my life. I stocked shelves, greeted customers with a polite smile, and memorized who always bought which brand of cereal or how often they ran out of milk.
At the end of every shift, I counted my wages, setting aside a little each week without a clear purpose. It was more a habit than a plan.
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And then, in a single day, everything crumbled like a dry cookie between careless fingers.
“We’re making cuts, Adele,” my manager said. “I’m sorry.”
She didn’t wait for a response. There was nothing to discuss. I took off my name tag and placed it on the counter.
I walked home silently, but as soon as I reached my apartment building, something felt off. The front door was unlocked, and a faint trace of unfamiliar female perfume lingered in the air.
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My boyfriend, Ethan, stood beside my suitcase in the living room.
“Oh, you’re home. We need to talk.”
“I am listening.”
“Adele, you’re a great person, really. But I feel like I’m… evolving. And you’re just… staying the same.”
“Oh, I see,” I muttered.
“I need someone who pushes me to be better,” he added, glancing toward the window.
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That “someone” was currently waiting outside in his car.
I didn’t argue. I didn’t beg. I picked up my suitcase and walked out. The city felt enormous, and suddenly, I had nowhere to go. Then my phone rang.
“I’m calling about Mr. Howard. I’m very sorry, but he has passed away.”
Mr. Howard. That’s what they called him. But to me, he was Dad. And just like that, my route was set.
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In half an hour, I bought a bus ticket and left the city behind, heading to the place where my childhood had been rewritten. Howard had never been my father by blood. He had been my father by choice.
When I was almost grown, after years of drifting through foster care, he and my adoptive mother took me in. I wasn’t a cute, wide-eyed toddler who would easily mold into a family. I was a teenager.
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But they loved me anyway. They taught me what home felt like. And finally, that home was gone. My mother had passed away a year ago. And then… my father had followed.
I was an orphan again.
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***
The funeral service was quiet. I stood in the back, too consumed by grief to acknowledge the sharp glances my adoptive sister, Synthia, kept throwing my way. She wasn’t happy I was еhere, but I didn’t care.
After the service, I went straight to the lawyer’s office, expecting nothing more than a few tools from Dad’s garage, something small to remember him by.
The lawyer unfolded the will.
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“As per the last testament of Mr. Howard, his residence, including all belongings within, is to be inherited by his biological daughter, Synthia Howard.”
Synthia smirked as if she had just won something she always knew was hers. Then, the lawyer continued.
“The apiary, including all its contents, is hereby granted to my other daughter Adele.”
“Excuse me?”
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“The beekeeping estate,” the lawyer repeated. “As per Mr. Howard’s request, Adele is to take ownership of the land, its hives, and any proceeds from future honey production. Furthermore, she has the right to reside on the property as long as she maintains and cares for the beekeeping operation.”
Synthia let out a short, bitter laugh.
“You’re joking.”
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“It’s all outlined in the document.” The lawyer held up the papers.
Synthia’s gaze sliced through me. “You? Taking care of bees? You don’t even know how to keep a houseplant alive, let alone an entire apiary.”
“It’s what Dad wanted,” I said finally, though my voice lacked conviction.
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“Fine. You want to stay? You can have your damn bees. But don’t think you’re moving into the house.”
“What?”
“The house is mine, Adele. You want to live on this property? Then you’ll take what you’ve been given.”
A slow dread crept into my stomach.
“And where exactly do you expect me to sleep?”
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“There’s a perfectly good barn out back. Consider it part of your new rustic lifestyle.”
I could have fought her. Could have argued. But I had nowhere else to go. I had lost my job. My life. My father. And even though I was supposed to have a place there, I was treated like a stranger.
“Fine.”
Synthia let out another laugh, standing up and grabbing her purse.
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“Well, I hope you like the smell of hay.”
That evening, I carried my bag toward the barn. The scent of dry hay and earth greeted me as I stepped inside. Somewhere outside, chickens clucked, settling in for the night.
The sounds of the farm surrounded me. I found a corner, dropped my bag, and sank onto the straw.
The tears came silently, hot streaks against my cheeks. I had nothing left. But I wasn’t going to leave. I was going to stay. I was going to fight.
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***
The nights were still cold, even as spring stretched its fingers across the land. So, in the morning, I walked into town and spent the last of my savings on a small tent. It wasn’t much, but it was mine.
When I arrived back at the estate, dragging the box behind me, Synthia was standing on the porch. She watched as I unpacked the metal rods and fabric, amusement dancing in her eyes.
“This is hilarious,” she said, leaning against the wooden railing. “You’re really doing this? Playing the rugged farm girl now?”
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I ignored her and continued setting up.
I remembered the camping trips I used to take with Dad: how he had shown me how to build a fire pit, set up a proper shelter, and store food safely outdoors. Those memories fueled me at that moment.
I gathered stones from the edge of the property and built a small fire ring. I set up a simple outdoor cooking area using an old iron grate I found in the barn. It wasn’t a house. But it was a home.
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Synthia, watching the whole time, shook her head.
“Springtime camping is one thing, Adele. But what’s your plan when it gets colder?”
I didn’t take the bait. I had bigger things to worry about.
That afternoon, I met Greg, the beekeeper my father had worked with for years. I had been told he was the one who had maintained the apiary after Dad passed, but I hadn’t had the chance to meet him yet.
Greg was standing by the hives when I approached. He frowned when he saw me.
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“Oh, it’s you.”
“I need your help,” I said, straight to the point. “I want to learn how to keep the bees.”
Greg let out a short laugh, shaking his head. “You?”
He eyed me up and down, taking in my entire existence that screamed city girl.
“No offense, but do you even know how to approach a hive without getting stung to death?”
I straightened my shoulders. “Not yet. But I’m willing to learn.”
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“Yeah? And what makes you think you’ll last?”
I could feel Synthia’s voice echoing in my head, her constant sneers, her dismissive laughter.
“Because I don’t have a choice.”
Greg, to my surprise, let out a low chuckle.
“Alright, then. Let’s see what you’ve got.”
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Learning was harder than I had expected.
I had to get past my fear of the bees first—the way they swarmed, the low hum of their bodies vibrating through the air. The first time I put on the protective suit, my hands trembled so badly that Greg had to redo the straps for me.
“Relax,” Greg said. “They can sense fear.”
“Great. Just what I needed.”
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He laughed at that.
“If you don’t want them to sting you, don’t act like prey.”
Over the next few weeks, Greg taught me everything: how to install foundation sheets into the frames, inspect a hive without disturbing the colony, and spot the queen among thousands of identical bees.
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Some days, I was exhausted before noon. My body ached from carrying the heavy frames. I smelled like smoke and sweat and earth. And yet, I had a purpose.
That evening, the air smelled wrong.
I had just stepped onto the property, my arms full of groceries, when a sharp, acrid scent curled into my nostrils.
Smoke. Oh, no! My beehives…
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***
The fire was raging, orange tongues licking at the darkening sky. Flames crawled over the dry grass, consuming everything in their path.
My tent was in ruins, its fabric curling and melting under the heat. The fire had devoured everything inside—my clothes, bedding, the last remnants of what I had managed to build for myself.
But my eyes locked on the beehives.
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They were close to the flames, the thick smoke drifting in their direction. If the fire reached them…
No. I wouldn’t let that happen. I grabbed a bucket beside the well and ran toward the fire, but…
“Adele! Get back!”
Greg.
I turned to see him sprinting across the field. A second later, others followed—neighbors, local farmers, even the older man from the general store. They carried shovels, buckets, and anything they could find.
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I barely had time to process what was happening before they moved into action.
“Get the sand!” Greg barked.
And I realized some people were dragging heavy sacks of dry dirt from the barn. They tore them open and started smothering the fire, throwing sand over the flames, cutting off their air.
My lungs burned from the smoke, but I kept going. We worked together until the flames finally died.
I turned toward the house. Synthia stood on the balcony, watching.
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She hadn’t lifted a single finger to help. I turned away.
The beehives were safe. But my home was gone.
Greg approached, wiping the soot from his forehead. His gaze drifted toward the window where Synthia had stood just moments ago.
“Kid, you don’t have the safest neighborhood. I’d recommend harvesting that honey sooner rather than later.”
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We washed our hands, shook off the exhaustion, and, without another word, got to work.
I lifted the wooden frame from the hive, brushing off the few bees still crawling across the surface. The combs were full, golden, glistening in the soft evening light.
And then I saw it. A small, yellowed envelope was wedged between the wax panels. My breath caught. Carefully, I pulled it free and read the words scrawled across the front.
“For Adele.”
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I didn’t move. I didn’t breathe. Inside, folded neatly, was a second will. That was the actual will. I began to read.
“My dearest Adele,
If you are reading this, then you have done exactly what I hoped—you stayed. You fought. You proved, not to me, but to yourself, that you are stronger than anyone ever gave you credit for.
I wanted to leave you this home openly, but I knew I wouldn’t get the chance. Synthia would never allow it. She has always believed that blood is the only thing that makes a family. But you and I both know better.
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I didn’t have time to file this will officially, but I knew exactly where to place it—somewhere only you would find it. I hid it in the very thing she despises most, the one thing she would never touch. I knew that if you chose to stay and see this through, you would earn what was always meant to be yours.
Adele, this house was never just walls and a roof—it was a promise. A promise that you could always have a place where you belong.
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As my final wish, I leave you everything. The house, the land, the beekeeping estate—everything now belongs to you. Make it a home. Make it yours.
With all my love,
Dad”
The house had always been mine.
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That evening, when Greg and I finished harvesting the honey, I walked up the house’s front steps for the first time. Synthia sat at the kitchen table, sipping tea. I placed the will on the table in front of her.
“Where did you get this?” she asked after reading.
“Dad hid it in the beehives. He knew you’d try to take everything, so he ensured you wouldn’t find it.”
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For the first time since I arrived, she had nothing to say.
“You can stay,” I said, and she looked up at me, startled. “But we run this place together. We either learn to live like a family or don’t live here at all.”
Synthia scoffed, setting the will down. “You’re serious?”
“Yes.”
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Then, finally, she leaned back in her chair, exhaling a slow, tired laugh.
“Fine. But I’m not touching the damn bees.”
“Deal.”
The days passed, and life slowly took shape. I sold my first jars of honey, watching my hard work finally pay off. Synthia took care of the house, keeping it in order while I tended to the bees. And Greg became a friend, someone to sit with on the porch at sunset, sharing quiet moments and stories about the day.
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If you enjoyed this story, read this one: When I told my husband I was pregnant, he froze. When he saw the ultrasound, he panicked. The following day, he was gone—no calls, no trace. But I wasn’t about to just let him disappear. I needed answers… and payback.
This piece is inspired by stories from the everyday lives of our readers and written by a professional writer. Any resemblance to actual names or locations is purely coincidental. All images are for illustration purposes only. Share your story with us; maybe it will change someone’s life.
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