In a world with defined beauty standards, it takes courage to embrace one’s uniqueness fully. Rada, a stunning model, exemplifies this courage as she proudly defends the distinctive patch of hair that grows from her forehead against online trolls and critics.
She went viral for her unique look
At just 18 years old, model Rada Prelevic, also known as Rada Viic on Instagram and TikTok, has captured the attention of social media users worldwide due to a distinctive feature: long strands of hair that gracefully hang from her forehead. Despite the fascination for her unique trait, Rada often finds herself subjected to harsh criticism and hurtful comments online. Trolls label her appearance as «bizarre» and suggest that she remove the locks.
In a candid video shared with her followers, she courageously affirmed that she really loves her hair and she won’t shave it. She also questions herself about why her unique hair bothers so many people.
She was born with it.
The Serbian-born model, now based in Oslo, Norway, where she has been living since the age of 5, shed light on the origins of her distinctive feature. Reflecting on her unusual trait, Rada explained that she was born with it. And there’s no explanation as to why the hair is placed on her forehead and has grown so much. She only knows that the patch is a birthmark.
The hate doesn’t bother her.
Rada’s confidence in her appearance is not only admirable but also inspiring. Despite the online hate, she remains firm in her conviction that her forehead birthmark is a beautiful and integral part of her identity. Her refusal to conform to societal pressures sends a powerful message of empowerment and self-acceptance to her followers and beyond.
The amount of support from Rada’s followers serves as a reminder that kindness and acceptance far exceed negativity. Hundreds of supportive messages flooded the comments section of her post, applauding her confidence and praising her unique beauty.
Her hair helps her modeling career.
For Rada, the unique lock of hair coming from her forehead has evolved into a unique feature, one that she proudly embraces as her personal «trademark» within the fashion industry. She notices that fashion magazines and photographers love her appearance, making her even prouder of the way she looks.
In matters of love and relationships, Rada’s self-assurance extends to her personal life as well. She says that she would never compromise her authenticity for the sake of romantic companionship. She firmly states that she would never be in a relationship with someone who doesn’t appreciate her for who she is.
Rada’s resolute self-confidence and refusal to conform to societal standards of beauty serve as a powerful reminder of the importance of embracing one’s individuality. In the face of relentless criticism and online hate, she remains firm in her self-acceptance, inspiring countless others to celebrate their unique traits and differences without fear or hesitation.
Preview photo credit rada.viic / TikTok, rada.viic / Instagram
With her blond hair & blue eyes, she was making waves in Hollywood – but look at her now
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.
The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”
After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.
The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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