“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
I Found a Girl Alone on a Dark Road – What I Saw When I Got Closer Will Haunt You
Driving alone on a foggy night, a mother sees a young girl in a torn dress, quiet and strangely familiar. As she drives closer, she notices the girl’s sad eyes, filled with secrets that might be best left unknown.
It was late, and the night seemed darker than ever. The fog hugged the car like a thick blanket, hiding everything beyond the headlights. I squinted ahead, holding the steering wheel tighter than usual.
“Just get home,” I whispered, rubbing my tired eyes. It had been a long day at work, and I couldn’t wait to crawl into bed.
I always avoided this road. I usually took the main highway, but tonight, I thought: A quick shortcut will save time.
Then, I noticed something in the distance. A shadow in the middle of the road. I slammed on the brakes, heart pounding. The outline was faint, but it was there in the mist.
“Please just be a tree or a mailbox,” I whispered, though I knew it wasn’t. As I drove closer, I realized it was a girl. She looked thin, and her white dress was in tatters.
A chill ran down my spine. Every instinct told me to turn back, but something held me there.
I cracked open the window, my voice shaky. “Are you okay?”
I stepped out of the car with a flashlight. The beam lit up her face, and I gasped, stumbling back. I knew that face. The pale skin, the wide eyes—it was my daughter.
“Emily?” I whispered, barely believing it. She looked at me, eyes empty and wide.
“Mommy?” Her voice was faint, like a distant echo.
Shock and relief overwhelmed me. It was Emily, my daughter who’d been missing for five years. She had vanished without a trace, and no one knew what had happened to her.
“Emily, oh my God… it’s you,” I stammered, stepping closer. “Are you hurt? Where have you been?”
She blinked slowly, her expression blank. “I… don’t know,” she murmured. Her voice was soft, like she hadn’t spoken in years.
I knelt in front of her, heart racing. “It’s okay, honey. It’s me. We’re going home now, alright?” I wrapped my coat around her thin shoulders and led her to the car. She sat silently in the passenger seat, staring out into the fog.
The drive home was quiet. I glanced over at her, but her face was blank, as if she were somewhere far away.
“Emily,” I asked gently, “do you remember anything? Anything at all?”
She didn’t look at me. “A room. It was dark. There was a man, but I can’t remember his face.”
My throat tightened. “You’re safe now, sweetheart. We’re going home.”
When we got home, she sat on the couch, looking around as if everything was unfamiliar. I asked if she remembered the place, but she only shrugged. Her voice was flat and empty.
“Mom,” she whispered, “I’m… cold.”
I wrapped a blanket around her, feeling her icy skin. The days that followed were tense. Emily was distant, barely speaking. The only time I heard her voice clearly was when she sang an old lullaby I used to sing to her. It felt strange because she shouldn’t have remembered it.
One day, I found her looking at old photo albums. Her fingers traced a picture of her father, Mark. He had died when she was a baby.
“Mom?” she said, confused. “I know him.”
I felt a chill. “That’s your dad, honey. I’ve told you about him.”
She shook her head slowly. “No, I know him from… the place.”
A cold wave of fear washed over me. Emily couldn’t remember Mark, but she knew someone who looked like him. It had to be his brother, Jake. They looked so alike, almost like twins.
I couldn’t ignore the feeling anymore. I needed answers.
The next morning, I drove to our old family cabin deep in the woods. It had been abandoned for years, but something felt off when I arrived. One of the windows was covered with a cloth. Why would someone do that?
I pushed the door open, dust swirling in the air. Everything was untouched except for a small room in the back. Inside, toys lay scattered, worn but well-loved. My heart sank. This was where Emily had been kept.
I called the police immediately. Hours later, Emily sat quietly with me as the officers searched the cabin. She clutched her blanket, looking small and sad.
“Mommy… I remember now,” she whispered. “It was Uncle Jake. He looked like Daddy, but different. He would bring food and hum that song.”
The police confirmed it that night. They found enough evidence to arrest Jake. He confessed, saying he had taken Emily to “protect” her, wanting her to rely on him. It was twisted and horrifying to realize he had been so close all this time.
When Emily heard the truth, she broke down, crying out the pain she had held inside for so long. I hugged her tightly, rocking her gently. “You’re safe now,” I whispered. “No one will take you away again.”
In the days that followed, Emily started to open up more. She would hum the lullaby at night, as if testing if it was safe to sing it again.
One evening, we sat together by the window. She leaned against me, and I softly hummed the lullaby like I used to. She looked up at me with a hint of peace in her eyes.
“I love you, Mommy,” she whispered.
Tears filled my eyes as I held her close. “I love you too, sweetheart. Forever.”
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