Dame Maggie Smith dies aged 89 – Fans startled by her final public appearance

Dame Maggie Smith dies aged 89 – Fans startled by her final public appearance

Dame Maggie Smith, Downtown Abbey and Harry Potter star, died aged 89, her family confirms.

A two time Oscar winner and a legend of the stage and screen, Smith was regarded one of the greatest actors of her time. She started her acting career on stage at the Oxford Playhouse and went on to make a name for herself and remained under the limelight for a stunning number of years.

The news of her sudden passing was shared by her two sons, Toby Stephens and Chris Larkin.
“She died quietly this morning, Friday, September 27, in the hospital. A deeply private individual, she passed away surrounded by loved ones,” their joint statement read.

“We would like to take this opportunity to thank the wonderful staff at the Chelsea and Westminster Hospital for their care and unstinting kindness during her final days,” it continued.

“We thank you for all your kind messages and support and ask that you respect our privacy at this time,” Smith’s sons concluded.

Throughout her long and rich career, Smith appeared in feature films such as Sister Act, The Best Exotic Marigold Hotel and more recently Thaddeus O’Sullivan’s The Miracle Club.

Back in 2009, Smith disclosed with the public that she had been diagnosed with breast cancer. She opened up about receiving treatments and filming scenes as Professor Minerva McGonagall in Harry Potter and the Half-Blood Prince at the same time.

“I used to go to treatment on my own, and nearly everybody else was with somebody,” she told Tim Teeman. “I wouldn’t have liked that. Why would you want to make anybody sit in those places?”

She had also opened up about her own mortality. “I was relieved to be the age I was because by now you feel like it’s all over anyway.

“That’s why I hated seeing young people receiving treatment [at the Royal Marsden Hospital, London]. I couldn’t bear that, it didn’t seem fair. To be honest, you feel so ghastly you wouldn’t mind dying a lot of the time.”

Smith was married twice. Her second husband, screenwriter Beverley Cross, whom she considered the great love of her life, passed away in 1998, leaving her mourning his loss until her own passing.

She wasn’t known as someone who was spotted in public often, so her last public appearance left her fans startled.
It was at the Wimbledon men’s singles final that Smith was spotted in public. Dressed elegantly, in a navy blue shirtdress with a stylish dot pattern on it accessorized with a blue jacket and black leather heels, she stunned many.

The photos of her and her stunning choice of outfit, which she had completed with a pink lipstick, received plenty of comments. “So elegant!” one person commented. “You [look] so beautiful,” another added.

Following her passing, tributes came pouring in. Prime Minister Keir Starmer was among the first to share his condolences, saying Smith “was beloved by so many for her great talent, becoming a true national treasure whose work will be cherished for generations to come.”

Hugh Bonneville, fellow Downtown Abbey co-star, said: “Anyone who ever shared a scene with Maggie will attest to her sharp eye, sharp wit and formidable talent.

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“She was a true legend of her generation and thankfully will live on in so many magnificent screen performances. My condolences to her boys and wider family.”

Smith’s passing represents an immense loss for the acting world. May she rest in peace.

I Found Tiny Children’s Shoes on My Late Husband’s Grave Every Time I Visited—Their Secret Changed My Life

This story is such a beautiful exploration of grief, betrayal, and ultimately, unexpected connection. Ellen’s journey is heartbreaking yet healing, as she grapples with the painful revelation of her husband’s affair and finds herself facing an entirely new reality. The recurring shoes, initially a source of bewilderment and frustration, become a poignant symbol of Oliver’s connection to the father he’ll never truly know. Through Ellen’s decision to open her heart to Oliver, there’s a powerful sense of forgiveness and transformation. She turns an unimaginable betrayal into a new form of family, healing both herself and the innocent child caught in the aftermath.

Ellen’s choice is bold and brave—she allows herself to expand her world beyond loss, finding purpose in being there for Oliver. The story subtly suggests that grief doesn’t have to close us off; instead, it can open us to paths we never anticipated.

What would you have done in Ellen’s place? It’s one of those questions that challenges our capacity for forgiveness and acceptance.

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