“Dallas,” the most successful primetime soap in TV history, is a show I hold dear. I could easily rewatch the entire series just to enjoy Victoria Principal’s performance.
Victoria Principal, known for her memorable role as Pamela Barnes Ewing, was one of the main reasons to watch “Dallas,” along with Larry Hagman, who played the infamous J.R. Ewing.
Now, at 74 years old, Victoria looks incredible. You’ll be amazed when you see her latest photos!
Victoria Principal, now 74, has had a diverse career as an actress, author, producer, and skincare business owner.
Her ability to succeed in many areas might be due to her childhood, which required her to adapt to different places.
Victoria was born on January 3, 1950, in Japan. Her father, a U.S. Air Force Sergeant, was stationed in Fukuoka, so Victoria spent her early months there.
As a child, Victoria and her mother moved frequently due to her father’s job. They lived in England, Puerto Rico, Massachusetts, Florida, and other places.
Victoria Principal attended 17 different schools during her childhood, including the famous Royal Ballet School in England.
Her childhood experiences are a bit mixed. According to the Daily Mail, Victoria and her mother, Ree Principal, had a complicated relationship, and Victoria described her childhood as unhappy in a 2009 report. In a 2012 interview with the Huffington Post, Victoria said she wished she had known earlier that her childhood would eventually end.
However, Victoria has also said, “I was very lucky. My parents raised me in such a way that it never occurred to me that I wasn’t equal.”
Victoria Principal began working early, landing her first job in a TV commercial at just 5 years old.
In 1968, she enrolled at Miami-Dade Community College, planning to become a doctor. However, her path changed dramatically after a serious car accident just months before finishing her first year. The crash forced her to spend months in recovery, and she had to repeat her first year of college.
Deciding to change direction, Victoria moved to New York City to pursue acting. After working as an actress and model in New York and Europe, she moved to Los Angeles in 1971 to chase major film roles. She eventually landed a role in the film “The Life and Times of Judge Roy Bean,” playing the mistress of the main character, portrayed by Paul Newman.
Victoria Principal showed she had talent early on, earning a Golden Globe nomination for best newcomer. Her rising fame meant she started getting invited to more parties, but she soon realized that many people were more interested in her fame than in being genuine friends.
After her role in “The Life and Times of Judge Roy Bean,” Victoria had a hard time finding satisfying roles. Her next film, “The Naked Ape,” didn’t do well, which really affected her confidence.
Victoria Principal wanted to be successful to protect herself from getting hurt. She became very cautious and guarded.
In 1974, she starred in the hit disaster film “Earthquake,” which did really well at the box office. However, while filming “Vigilante Force” in 1975, Victoria felt overwhelmed and collapsed under the pressure of maintaining a perfect image. She admitted that she was so unhappy that she didn’t want to continue living.
Victoria decided to step away from acting and study law. Between 1975 and 1977, she worked as a talent agent, which gave her relief from the constant focus on her looks and body. As an agent, she was valued for her skills and personality.
While working as an agent, Victoria came across the script for the TV series “Dallas.” She was intrigued and knew she wanted the role. She called the casting director and, in a surprising twist, sent herself in for the audition.
Victoria ended up landing the role of Pamela Barnes Ewing, and it became a defining moment in her career.
Victoria Principal knew that “Dallas” was going to be a big success. She loved the show and the role of Pamela Barnes Ewing from the moment she read the script. She felt like she was meant to play that part.
Victoria used her knowledge of the industry to negotiate her own contract with CBS. This gave her the freedom to work on other projects while “Dallas” became a global hit. She was the only cast member who did commercials, acted in TV movies, and wrote books, all while maintaining control over her own image.
Victoria took charge of her career and made sure that no one else controlled her.
In 1978, the TV show *Dallas* premiered and quickly became one of the most popular TV dramas ever. It was so popular that it’s hard for younger people today to grasp just how big of a deal it was worldwide.
The show focused on the Ewings, a rich Texas family involved in oil and cattle ranching.
Victoria Principal, who was 28 when the show started, played a big part in its success. As Pamela Barnes Ewing, the gorgeous wife of Bobby Ewing and sister-in-law to JR Ewing, she became a major crush for many fans of that generation.
During her nine years on *Dallas*, Victoria Principal was nominated for a Golden Globe and two Soap Opera Digest Awards.
Recently, she has shared stories from her time on the show and talked about working with Larry Hagman, who played the iconic character JR Ewing.
Victoria mentioned that working with Larry was always enjoyable. He was a generous actor who would discuss how to make their scenes even better before filming them.
Victoria Principal wasn’t very close with her *Dallas* castmates.
She explained that while they did talk on the phone, they didn’t often hang out together. They had different lives: Patrick, Steve, Larry, and Linda were all married with children, while Victoria was single. Their lifestyles were just too different.
Victoria left *Dallas* in 1987 for a few reasons. She felt that staying on the show longer would make it hard for her to be seen as more than just her character, Pam Ewing. She wanted to avoid being typecast and to explore other opportunities.
Victoria Principal, now 71, has always been in the spotlight, but she’s also made a name for herself off-screen. After marrying plastic surgeon Dr. Harry Glassman, rumors suggested he might have helped her maintain her youthful appearance. However, in a 2007 interview, Victoria denied using any of his services for cosmetic procedures. She stated, “I’ve never had a face-lift. Or a professional peel or lasers.”
Victoria and Dr. Glassman divorced in December 2006 after being together for over 20 years. While she doesn’t have biological children, she grew close with Dr. Glassman’s children from a previous relationship, Andrew and Brooke.
These days, Victoria stays active on social media and spends much of her time on her ranch near Los Angeles, where she focuses on rehabilitating animals. Seeing her happy and thriving brings tears of joy to many of her fans!
King Charles’ First Official Portrait Deemed Inappropriate
In a dramatic unveiling that has left the public and critics buzzing, King Charles III revealed his first official portrait since ascending to the throne, and reactions have been anything but tepid. As debates rage on social media and in art circles, it is clear that King Charles’ portrait is destined to be one of the most talked-about royal artworks in recent history.
The unveiling
Recently, King Charles III personally unveiled a new portrait of himself at Buckingham Palace, the first such portrait since his coronation. The Royal Family’s Instagram account shared an exclusive video of the unveiling, featuring the king himself presenting the artwork.
This significant new work will ultimately be displayed in Drapers’ Hall in London, adding to its historical art collection and offering the public a glimpse of the monarch’s regal presence.
There was an ongoing debate in the comments.
The unveiling sparked a heated debate in the comments section on the Royal Family’s Instagram post and other social media sites. Opinions were sharply divided, with some users harshly criticizing the artwork. Comments ranged from “That is hideous” and “Without sounding rude, this is the worst royal portrait I’ve ever seen” to “100% thought this was satire.”
One critic remarked, “The face is good, the rest is appalling,” while another noted, “I would have loved this if it was any other color than red. He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression.”
Despite the criticism, there were also voices of appreciation, such as “A lovely portrait of King Charles! I love the way the muted background draws attention to his face!” The mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has evoked among the public.
The artist
Jonathan Yeo, a prominent figure in the world of figurative painting, has earned widespread acclaim for his unique blend of traditional and experimental portraiture. Yeo’s distinctive approach involves a deep engagement with his subjects, allowing him to capture their essence beyond mere physical appearance.
His recent portrait of King Charles III epitomizes this philosophy. Yeo explained, “As a portrait artist, you get this unique opportunity to spend time with and get to know a subject, so I wanted to minimize the visual distractions and allow people to connect with the human being underneath.”
The meaning of the portrait.
A particularly striking element of Yeo’s portrait is the inclusion of a butterfly. This detail serves multiple purposes, both symbolic and compositional. Yeo elaborated, “Primarily a symbol of the beauty and precariousness of nature, it highlights the environmental causes the King has championed most of his life and certainly long before they became a mainstream conversation.”
The butterfly also provides a visual contrast to the uniform, softening the portrayal and adding layers of meaning. “In the context of art history, a butterfly often symbolizes metamorphosis and rebirth, paralleling the King’s transition from Prince to monarch during the period the portrait was created,” Yeo noted, further emphasizing the transformative phase in King Charles’s life.
Yeo expressed his gratitude and honor for being commissioned to create such a significant portrait. “It was a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty The King, the first to be unveiled since his Coronation.”
Yeo’s approach to portraiture aims to encapsulate the life experiences and humanity etched into his subjects’ faces. “I do my best to capture the life experiences and humanity etched into any individual sitter’s face, and I hope that is what I have achieved in this portrait,” he explained.
The challenge of portraying a figure as complex and significant as King Charles III was substantial, but one that Yeo found immensely rewarding. “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge, and one which I thoroughly enjoyed and am immensely grateful for,” he concluded. The portrait, destined for Drapers’ Hall in London, stands as a testament to both the artist’s skill and the monarch’s enduring legacy.
Discover the lesser-known facets of King Charles III’s life in our compelling article, “8 Things About King Charles III That Will Allow Us to Know Him More Closely.” Dive beyond the regal exterior to uncover intimate details about his passions, personal experiences, and unique quirks.
Preview photo credit Kin Cheung / Associated Press / East News, theroyalfamily / Instagram, jonathanyeo / Instagram
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