Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
My Stepmom Gifted Me a Funerary Urn for My 17th Birthday
I always knew my stepmom, Monica, wasn’t exactly the nicest person—annoying, yes, but not evil. She was the type who would talk over me, forget my birthday, and call me “kiddo” even though I was practically an adult.
But what she did on my 17th birthday? It was the final straw.
It all started after my mom, Sarah, passed away when I was ten. After that, it was just me and Dad. We were a team—movie nights, pizza dinners, and a mutual understanding that we had each other’s backs, always.
Then Monica came along about three years ago. She wasn’t the worst, just kind of… there. She moved in, slowly took over the bathroom with her endless beauty products, and managed to inch her way into Dad’s life, whether I liked it or not.
Monica had dreams—big dreams—of opening a hair salon. I didn’t have a problem with people having dreams, but I had my own, too, and she treated me like I was an inconvenience that came with the house.
But I had a plan. College was my way out, and Dad had promised me from the time I was little that there was a college fund waiting for me. “Your mom and I set it up when you were five, Lila,” he’d say. “It’s all there, and I add to it every year.”
So, I worked hard in school, counting down the days until I could leave for college and start a life of my own.
On the morning of my 17th birthday, I wasn’t expecting much. Maybe some pancakes, a card—Dad was at work, so it was just Monica and me. But when Monica handed me a gift bag, things took a weird turn.
Inside the bag was a pink funerary urn. Yes, you read that right. An urn.
I stared at it, completely confused. “What the hell is this?” I asked.
Monica leaned against the kitchen counter, a smug look on her face. “It’s symbolic,” she said as if that explained anything.
“Symbolic of what?” I asked, already feeling a sinking feeling in my stomach.
Monica smiled wider. “It’s time to bury your college dreams, kiddo. Your dad and I decided to put that fund to better use.”
“Better use?” I repeated, my heart racing.
“Yep. We used it to help me open my salon. College is a gamble, Lila. But a business? That’s a real investment.”
I was frozen. Had they really taken my future, my college fund, and sunk it into Monica’s dream? How could my dad have let this happen?
“Life’s full of disappointments,” she added, as if that was supposed to be comforting.
I ran upstairs and slammed my door, sobbing harder than I ever had. Everything I’d worked for, everything my mom had wanted for me, was gone.
For the next few days, I barely spoke to either of them. Monica pranced around like she owned the house while I sat with the urn on my desk, a twisted reminder of what I had lost.
Then, a few days later, something strange happened.
When I got home from school, there was a note on my desk in Monica’s messy handwriting: Meet me at the salon at 6 P.M. tonight. No questions. Just trust me.
I almost laughed. Trust her? After what she did?
But my curiosity got the better of me, and against my better judgment, I went.
When I arrived at the salon, the lights were off, but the door was unlocked. Hesitant, I stepped inside. There, in the middle of the room, were Monica and my dad, both grinning.
“Surprise!” Monica shouted.
I was speechless.
“Look,” Monica said, stepping aside to reveal a shiny new sign on the wall: Dream Cuts: A Scholarship Fund in Honor of Sarah.
“What is this?” I asked, completely lost.
Monica’s smile softened. “We didn’t use your college fund, Lila. It’s all still there. The salon isn’t just for me—it’s for you, too. And for others like you. A portion of the profits will go toward funding scholarships in your mom’s name.”
I blinked, feeling like the ground was shifting beneath my feet.
“But… why make me think otherwise?” I asked, still trying to wrap my head around it.
Monica winced. “Yeah, the urn thing… That was not my best idea. I thought it would be motivational, like burying the past and embracing the future. Turns out, it was just creepy.”
Dad stepped forward, placing a hand on my shoulder. “We’ve been planning this for months. Your mom always wanted to help kids get to college. This way, her dream lives on.”
I stood there, stunned, my anger melting into something softer.
Monica looked at me earnestly. “I’m not trying to replace your mom, Lila. I just want to build something meaningful, something that helps you and others. I know I haven’t been the best stepmom, but I hope this can be a fresh start.”
For the first time in a long time, I smiled.
It wasn’t perfect, and maybe things with Monica never would be. But in that moment, standing in a salon named for my mom, I realized she wasn’t trying to destroy my future—she was trying to honor it in a way I hadn’t expected.
And yeah, I kept the urn. I planted peace lilies in it. Maybe it wasn’t the symbol Monica had intended, but it had become something new. A symbol of hope.
What would you have done in my shoes?
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