Breastfeeding is a natural part of motherhood, and many mothers find themselves feeding their babies in public when the need arises. One young mother experienced this firsthand, but she had no idea that someone was secretly filming her during this intimate moment. When she discovered the footage, she had plenty to say about it. Read on to find out more…
Izabele Lomax, a woman from Maryland, was going about her day on social media when she stumbled upon a video that made her heart drop. Upon closer inspection, she realized it featured her breastfeeding in public.
The clip she encountered was a screenshot of a prior post. A stranger had recorded Lomax nursing her baby and criticized her for not covering up while doing so. The post, shared in a breastfeeding support group, included a caption expressing disbelief that another woman would take a video of a mother feeding her child and post it online.
Lomax felt a strong connection to the post, as it showed her in a vulnerable moment. “I was like:, ‘That’s me!”” she recalled, shocked to learn she had been filmed without her consent while enjoying a day at the beach.
The person who posted the video claimed they weren’t trying to shame breastfeeding mothers but rather criticized Lomax for not being more discreet. They expressed discomfort at the idea of exposing their son to topless women in public spaces.
In the video, Lomax was shown sitting under an umbrella at the beach, nursing her infant without realizing she was being recorded. The carefree day she had shared with her fiancé, baby, and parents took a turn for the worse when someone decided to judge her actions.
Not one to remain silent, Lomax took to social media to address the situation directly. In her video response, she pointed out that the woman had walked by her several times and could have chosen to speak to her instead of filming her without her knowledge.
Lomax emphasized that she would not have stopped breastfeeding her child, and she questioned why the woman felt the need to sexualize breastfeeding in front of her own young son. “If you have time to record me and post about it on Facebook, you could have taken a moment to educate your son about breastfeeding”, she said in her impassioned response.
Support for Lomax poured in from her followers, leading the original poster to delete the video. Many commenters expressed disbelief at the woman’s decision to publicly shame another mother for breastfeeding. One commenter remarked: “Who does this lady think needs protection? Just explain to your kid that the woman is feeding her baby, and move on”.
Others noted that the baby’s head covered any nudity that might have been visible, reinforcing the idea that there was nothing inappropriate about the situation. This incident sparked a significant discussion, highlighting the strong opinions surrounding public breastfeeding. What are your thoughts on this situation? Share your comments!
In the 1980s, this beautiful woman was on her way to becoming a Hollywood star
In a timeless romance, Naval Officer Zack Mayo swept factory worker Paula off her feet, whisking her away from the mundane confines of her workplace. Debra Winger’s portrayal was the envy of fans worldwide, setting a standard for romantic tales in the iconic film “An Officer and a Gentleman”. Richard Gere’s depiction of Officer Zack Mayo, the dashing naval hero clad in his crisp blues, captured hearts across the globe.
Winger, now 69, retains her enduring beauty that first captivated audiences alongside Hollywood’s leading men. Recently, she’s shared glimpses of herself on social media, her once brown locks now naturally curly and silver. Winger’s career ignited with her debut in the 1976 film “Slumber Party ’57”, leading to a memorable role as Drusilla in the hit TV series “Wonder Woman” (1979), where she portrayed the spirited younger sister to Lynda Carter’s Diana Prince.
Despite early success, Winger bravely turned down further commitments on “Wonder Woman” to avoid typecasting, a decision that proved pivotal. Throughout the early 1980s, she garnered acclaim with Oscar and Golden Globe nominations for her roles in iconic films like “Urban Cowboy” (1980) alongside John Travolta, “An Officer and a Gentleman” (1982) as Paula, and “Terms of Endearment” (1983) as Emma, a poignant portrayal of a young woman facing mortality under the watchful eye of her mother, played by Shirley MacLaine.
Yet, amid rising stardom, Winger took a hiatus from Hollywood, sparking speculation that persists over four decades later. Rumors swirled about conflicts with co-stars, including reputed tension with Gere during the filming of “An Officer and a Gentleman”. Co-star Louis Gossett Jr., who played Sgt. Emil Foley, chronicled in his book “An Actor and a Gentleman” that their on-screen chemistry didn’t translate off-screen, attributing friction between Winger and Gere to creative differences.
Winger’s outspoken nature extended beyond Gere; she reportedly clashed with MacLaine on the set of “Terms of Endearment”, where their contrasting styles and personalities led to both friction and eventual camaraderie. The Hollywood grapevine buzzed with tales of Winger’s independence and occasional clashes, enhancing her mystique.
Following her hiatus, Winger returned to the spotlight with “Forget Paris” (1995) alongside Billy Crystal before taking another break to focus on family life in New York City with her husband, actor Arliss Howard. She returned to acting with “Big Bad Love” (2001) and gained further attention with the documentary “Searching for Debra Winger” (2002), exploring her decision to step away from the limelight at the peak of her career.
Reflecting on her Hollywood journey, Winger has remained philosophical, viewing Los Angeles as a place rather than a concept of stardom. Her recent roles in films like “Rachel Getting Married” (2008), “The Lovers” (2017), and “Kajillionaire” (2020) underscore her enduring talent and commitment to diverse roles, reinforcing her status as a cinematic icon who defies easy categorization.
In 2021, Winger appeared in the anthology drama “With/In”, Volume two, in a segment titled “Her Own”, directed and written by her husband Arliss Howard. Her ongoing career continues to surprise and delight audiences, proving that while Hollywood’s landscape may evolve, Debra Winger’s allure and talent endure.
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