The memories of the day you become a parent will be ones you hold dear forever. A unique child who depends on you has just entered the world. You must provide them with the finest environment and encouragement while they work to achieve their goals.Adriana Iliescu gave birth to her first child in 2005, and because she was 66 at the time, her story received extensive media coverage.Adriana was overjoyed when her daughter Eliza was born.
She said, “Medically, it’s doable. It could be done, since I understand experiments with a 70-year-old woman are currently taking place in England. I am in good health and believe that having another child in the future is conceivable, but I’m not in a rush right now.Adriana and Eliza have a similar bond to most mothers and daughters over time. Eliza is a young child who is tremendously joyful, humorous, and intelligent.Although a lot of people have an opinion about Adriana’s age, the mother claims that Adriana is a great mother and takes good care of Eliza.
“I don’t consume alcohol or smoke. Eliza will be 20 years old when I die if I survive as long as my parents did. I still believe I have a lot to offer her.Adriana did not plan on getting pregnant at such a late age. When Adriana Iliescu was a young newlywed, she was forced to have an abortion due to health issues. She was 24 when her husband abandoned her.Adriana subsequently focused on other facets of her life, such as her job as a professor at a Romanian university.
As I was working, “I couldn’t even think about a child.”But I wasn’t ready to have children until I finished my doctorate at age 37. However, IVF did not exist back then.Adriana was 57 years old when in-vitro fertilization became an option in Romania. Adriana’s first pregnancy in 2000 resulted in miscarriage despite her attending counseling.Many people turned their backs on her because she wanted to have children. They thought Adriana was acting immorally, but she persisted in her desire to have children and never gave up.
Eliza was eventually born after receiving treatment from Dr. Bogdan Marinescu in Bucharest. Adriana had really been expecting triplets, but only Eliza survived after the other two died in the womb. Unfortunately, because of her premature delivery, she had to spend a lot of time in the NICU.
Adriana, who was deeply religious, wanted to baptize her daughter immediately after she had grown into a strong young child. Sadly, some religious organizations opposed Adriana having a kid at such a late age. At Eliza’s baptism, Adriana encountered weird looks from the nuns, one of them even referred to her as “the creation of dark energy.”
Adriana claims that Eliza is a gift from God. Today’s Adriana Iliescu
Adriana gave birth to her first child in 2022, which has been 17 years ago. Adriana is usually mistaken for Eliza’s grandmother, but they are currently having a great time together.
But the seasoned mother is still in great physical and mental shape. She is a very loving person, and that is what it takes to nurture a child.
Adriana is 83 years old and still writes. She claims to be in good health and has published more than 25 children’s novels. She appears to be a fantastic mother, but she still holds down a part-time professorship in Bucharest.
Adriana has also ensured that Eliza’s future is in capable hands.
When Adriana chose to use IVF, she made an agreement with the physician. He will be the girl’s godfather and legal guardian in the event that Adriana passes away.
Eliza, who is 17 years old, wants to study and attend college, but Adriana initially prefers to keep her family’s private affairs private. Eliza, who always makes the honor roll, continues on her mother’s academic tradition.
Compared to many people in their 25s and 30s, she appeared to be performing better. She is COMMITTED to her child and has no outside interests to divert her. Her daughter has an amazing energy and seems to be very content, happy, and well-rounded.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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