Jack is furious when his sister-in-law shows up to a family event in his late wife, Della’s cherished dress. But the final blow comes when she “accidentally” ruins it right in front of him. Jack holds back his anger, but karma has its way of delivering justice in ways no one expects.
It’s been six months since I lost my wife, Della, and some days it feels like I’m drowning in memories. Today was one of those days until karma decided to show up fashionably late to the party.
But I’m getting ahead of myself. Let me rewind a bit to last week.
It was supposed to be a happy day, the 45th wedding anniversary of Della and her sister Lina’s parents. Instead, it turned into a nightmare that had me wishing I’d stayed home nursing my grief with a bottle of whiskey.
I stood in the corner of the living room, nursing a drink and trying to blend into the wallpaper.
The chatter of family and friends washed over me, a dull roar that did nothing to drown out the ache in my chest. Every laugh, every clink of glasses was a reminder that Della should’ve been here, lighting up the room with her smile.
That’s when it happened. The moment that made my blood run cold and then boil in the span of a heartbeat.
Lina appeared at the top of the stairs, and my world tilted on its axis.
She was wearing Della’s engagement dress. The one I’d given her on the night I proposed, the one she’d treasured for years. It was a soft, flowing thing in a shade of blue that matched Della’s eyes perfectly.
Seeing it on Lina felt like a violation.
I couldn’t move. Couldn’t breathe. My fingers tightened around my glass as Lina descended the stairs, a smug smile playing on her lips. She knew exactly what she was doing.
“Jack!” she called out, her voice dripping with fake sweetness. “Don’t you think this dress is just perfect for the occasion?”
I opened my mouth, but no words came out. What could I say that wouldn’t cause a scene? That wouldn’t play right into her hands?
Lina sauntered over, her eyes gleaming with malicious delight. “What’s wrong, Jack? Cat got your tongue?”
I took a deep breath, trying to steady myself. “That’s Della’s dress,” I managed to growl.
She laughed, a sound like nails on a chalkboard. “Oh, come on. It’s not like she needs it anymore. And now,” she leaned in close, her breath hot on my ear, “she can’t say no to me.”
Something snapped inside me. I was about to unleash years of pent-up fury when Lina gasped dramatically.
“Oh no!” she cried out. “I’m so clumsy!”
Time seemed to slow as I watched a wave of red wine spread across the front of Della’s dress. Lina’s eyes met mine, filled with mock innocence and very real triumph.
“Oops,” she said, her voice dripping with sarcasm. “I guess I ruined it. Such a shame.”
I don’t remember much of what happened next. Somehow, I made it through the rest of the party without committing murder. But as I drove home that evening, my knuckles white on the steering wheel, I knew something had changed.
Back in our — my — empty house, I paced the floor like a caged animal. Memories of Della flooded my mind, sharp and painful. Her laughter, her strength, the way she always stood up to Lina’s bullshit.
“God, I miss you, Del,” I whispered to the empty room. “You always knew how to handle her.”
I could almost hear Della’s voice in my head, calm and steady. “Don’t let her get to you, Jack. She’s not worth it.”
But it wasn’t just about me anymore.
It was about honoring Della’s memory, about not letting Lina trample all over the life we’d built together.
As I collapsed onto the couch, exhausted and heartsick, a strange calm settled over me. I wouldn’t seek revenge; that’s not what Della would’ve wanted. But I wouldn’t stand in karma’s way either.
Something told me the universe had taken notice of Lina’s behavior, and it was only a matter of time before the scales balanced out.
Little did I know how right I was.
A few days later, I was mindlessly scrolling through social media, trying to distract myself from the gnawing emptiness in my chest, when a post caught my eye. It was from Lina, and it was… dramatic, to say the least.
“My dear friends,” it read, accompanied by a selfie of Lina with tears streaking her mascara, “I was robbed yesterday! They took all my cocktail outfits and branded clothes. I’m devastated!”
I blinked and read it again.
A laugh bubbled up in my throat, unexpected and a little rusty from disuse. Before I could fully process what I was reading, my phone rang. Lina’s name flashed on the screen.
I answered, curiosity getting the better of me. “Hello?”
“You colossal jerk!” Lina’s shrill voice assaulted my ear. “I know it was you! How dare you?”
I held the phone away from my ear, her tirade continuing unabated. When she paused for breath, I jumped in. “Lina, what the hell are you talking about?”
“Don’t play dumb with me, Jack! My clothes, all my designer outfits, they’re gone! And I know you’re behind it!”
I couldn’t help it. I laughed. It was a real laugh, the kind I hadn’t experienced since Della died. “Lina, I hate to burst your bubble, but I had nothing to do with your clothes going missing.”
“Liar! Who else would do this? It’s payback for the dress, isn’t it?”
I sighed, pinching the bridge of my nose.
“Lina, I’ve been home wallowing in my grief. I haven’t left the house in days. How exactly do you think I managed to orchestrate a theft of your wardrobe?”
She sputtered, clearly not expecting logic to enter the conversation. “But… but…”
“Look,” I said, a hint of amusement creeping into my voice, “I’m sorry you were robbed. That sucks. But it wasn’t me.”
“Then explain this!” she shrieked.
My phone pinged with an incoming message.
I pulled it away from my ear to look, and what I saw nearly made me drop it.
There, in living color, were photos of Lina’s missing clothes. But they weren’t in some thief’s lair or a pawn shop. No, they were being worn by homeless women on the street.
I saw a Gucci blazer draped over the shoulders of an elderly woman pushing a shopping cart. A Prada dress adorned a young mother cradling a baby.
I couldn’t contain myself. Laughter erupted from me, deep and genuine.
It felt foreign, almost painful, but God, it felt good.
“What’s so funny?” Lina demanded. “This isn’t a joke, Jack!”
“Oh, Lina,” I managed between chuckles, “trust me, karma works in mysterious ways.”
“What’s that supposed to mean? I swear, Jack, if I find out you had anything to do with this—”
“You’ll what?” I cut her off, suddenly tired of her threats. “Look, Lina, I didn’t take your clothes. Maybe the universe decided it was time for you to learn a lesson about taking things that don’t belong to you.”
She gasped, indignant. “How dare you! I’m calling the police!”
“Go ahead,” I said, surprising myself with how calm I felt. “I’m sure they’ll be very interested in your theory about your grieving brother-in-law masterminding a charitable redistribution of your wardrobe.”
I hung up before she could respond, feeling lighter than I had in months. As I set my phone down, a memory surfaced: Della, rolling her eyes after yet another confrontation with her sister.
“One of these days,” she’d said, “Lina’s going to push too far, and it’s going to bite her in the rear.”
I smiled, raising an imaginary glass to the ceiling. “You called it, babe,” I murmured. “You always did.”
I thought that was the end of it. A bit of karmic justice, a much-needed laugh, and maybe a lesson learned for Lina. But the universe, it seemed, wasn’t quite done.
The next morning, I opened my front door to grab the newspaper and nearly tripped over a plain white envelope on the welcome mat. No address, no stamp. Just my name scrawled across the front in unfamiliar handwriting.
Curious, I tore it open. Inside was a single sheet of paper with three words:
“Don’t thank me.”
I stared at the note, my mind racing. Someone in the family, someone I didn’t know, or at least didn’t suspect, had taken matters into their own hands. They’d done what I’d only dreamed of doing, exacting a revenge that was as poetic as it was just.
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
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