
The emptiness of George’s departure permeates their residence, his presence enduring in the shirt Mariana grips nightly. However, it wasn’t his passing that devastated her… it was her stepdaughter Susan’s insistence on inheriting his wealth. When she reluctantly agreed, an unexpected twist left Susan enraged and Mariana strangely content.
Progressing past the death of a dear one is always challenging. At times, I still sense my husband George’s voice echoing in my mind. I awaken holding his cherished shirt, his fragrance still clinging to the material. Yet, as I mourned him, my stepdaughter’s actions… they utterly broke me…
I am Mariana, aged 57, wed to the kindest man, George, for 25 years. He had a daughter, Susan, aged 34, from an earlier marriage.
Our bond with Susan was once good. She addressed me as “Mom” and filled the gap in my heart from not bearing my own children. I never viewed her as “another’s” child. I cherished her as my own daughter, truly.
When Susan wed her chosen partner, George and I were thrilled. But then, everything deteriorated when George received a terminal cancer diagnosis.
Susan’s visits reduced from weekly to monthly, then ceased entirely. She seldom visited her father, occasionally phoning to inquire about his health.
One day, she posed a question that tore me apart. “How long does he have left?”
Clutching the phone tightly, my voice shook. “Susan, your father isn’t an item with an expiration date.”

“I just need to know, Mom. I’m swamped, you know that… I can’t come by often,” she responded.
“Swamped?” I repeated, my tone filled with disbelief. “Too swamped to visit your dying father?”
She exhaled deeply. “Look, I’ll attempt to come soon, okay?”
But that “soon” never materialized.
Then, the dreaded day arrived. The hospital informed me that George had passed away peacefully.
I was devastated, barely able to stand as the reality sank in. My beloved George, gone.
Shockingly, Susan didn’t attend his funeral. When I called her, she promptly excused herself.
“I’m expecting, Mom,” she stated, her tone strangely indifferent. “The doctors advised against lengthy travel due to some medical concerns.”
I swallowed hard, holding back tears. “But Susan, it’s your father’s funeral. Don’t you wish to bid him farewell one last time?”
“I can’t jeopardize my baby’s health,” she curtly replied. “You understand, right?”
I didn’t, not truly, but I nodded silently, forgetting she couldn’t see me. “Of course, dear. Take care.”
As I sat near my husband’s coffin, I couldn’t dismiss the notion that our relationship had irrevocably changed.
Six months post-George’s death, I was startled by a loud knock at my door. Opening it, I saw Susan and her husband Doug, along with a severe-looking man in a suit.
Susan entered without greeting. “Mom, we need your signature on some documents.”
Baffled, I blinked. “Which documents?”
Doug handed me a stack of papers, including a blank sheet. “Just sign these. They’re for transferring all the properties into our names.”
James Earl Jones, acclaimed actor and voice of Darth Vader, dead at 93

James Earl Jones, the beloved stage and screen actor who lent his iconic, deep voice to Darth Vader in Star Wars and Mufasa in The Lion King, has died at 93.
Regarded as one of the best actors of his generation, Jones’ career spanned Shakespeare to Hollywood hits. He is one of the few actors to have won an Emmy, Grammy, Oscar, Tony Award.
The actor’s death was reported by Deadline, via his representatives at Independent Artist Group.
James Earl Jones was born January 17, 1931 in Arkabutla, Mississippi and raised by his grandparents in Dublin, Michigan. While he would later become one of the most famous voices in the world, he says he suffered from a stutter in his youth.

“I was a stutterer. I couldn’t talk,” Jones recalled in a 1996 interview. “So my first year of school was my first mute year, and then those mute years continued until I got to high school.” A teacher encouraged him to overcome his stutter by reading poetry aloud.
Jones served in the US Army during the Korean War, and after decided to pursue a career in acting. He studied at the American Theatre Wing, working as a janitor to support himself. By the 1960s, Jones was establishing himself as one of his generation’s great Shakespearean actors, playing roles like Othello and King Lear. He also made his film debut in Stanley Kubrick’s classic 1964 comedy Dr. Strangelove, as bombadier Lt. Lothar Zogg.

In 1967, he played a boxer in The Great White Hope, winning the Tony Award for Best Actor in a Play. He reprised the role in the 1970 film version, receiving his first Academy Award nomination.
Amidst all his acclaimed acting work, Jones soon landed his most well-known and iconic role — one where he didn’t even have to appear on set: voicing the villainous Darth Vader in Star Wars. While Vader was played in costume by David Prowse, Jones dubbed over the lines with his own deep bass voice, helping to create one of the most famous characters in movie history.
While Jones originally opted to go uncredited for the role, it has become perhaps his most famous performance. He continued to voice Vader for decades, in the two sequels The Empire Strikes Back and Return of the Jedi, the prequel Revenge of the Sith and the spin-off Rogue One. In 2022, Jones retired from the role, but signed an agreement for his voice to be used in future projects using artificial intelligence and archive recordings.

Jones also provided the voice of another beloved movie character, Mufasa in the 1994 Disney film The Lion King. Jones later reprised the role in the 2019 remake.
Throughout the ’80s and ’90s, Jones appeared in many Hollywood films, including Conan the Barbarian, Coming to America, Field of Dreams, and The Hunt for Red October, Patriot Games and The Sandlot. He also won his second Tony Award, starring in the original production of August Wilson’s Fences.
He received eight Emmy Award nominations for his television work, winning twice in 1991: Outstanding Supporting Actor in a Limited Series or Movie for Heat Wave and Outstanding Lead Actor in a Drama Series for Gabriel’s Fire.

Jones also continued to perform on Broadway: over the past 20 years he starred in revivals of On Golden Pond, Cat on a Hot Tin Roof, Driving Miss Daisy, The Best Man and You Can’t Take it With You.
Jones was the recipient of many awards and honors throughout his acclaimed career. He received an Honorary Academy Award in 2011, making him one of the only people to have won an Emmy, Grammy, Oscar and Tony Award, known as “EGOT.” Broadway’s Cort Theatre was renamed the James Earl Jones Theatre in his honor in 2022.
Rest in peace to the iconic James Earl Jones, one of the greatest actors of our time — please share this
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