Conspiracy theorists have something eIse to latch onto after the Kansas City Chiefs won the Super Bowl. Late in the fourth quarter, Patrick Mahomes and the Chiefs offense were matriculating the ball down the field in an effort to win or tie the game.
One pIay showed Mahomes scrambling out of the pocket for minimal yards on first down, clearly not enough for a fresh set of downs.
One video posted by fans showed that the play ended up being a first down even though he never made it that far.On a game-changing pIay, Mahomes hit Travis Kelce for 22 yards on third-and-7 to drive the Chiefs deep into 49ers territory.On a game-changing play, Mahomes hit Travis Kelce for 22 yards on third-and-7 to drive the Chiefs deep into 49ers territory.
Harrison Butker would eventually be called on to make the score 19-19 with three seconds left in the fourth quarter as the 49ers would kneel and the game would head into overtime.
Mahomesâ legend continues to grow, as his overtime drive Ied to a Super Bowl LVIII win over the San Francisco 49ers, 25-22, on Sunday night in Las Vegas. The Chiefs defended their Super Bowl title, winning back-to-back Vince Lombardi Trophies and collecting their third ring in the past five seasons.
Mahomes finished the game with 333 yards on 34-for-46 through the air with two touchdowns and one interception, while rushing for a team-high 66 yards on nine carries.
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and sheâs aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw â born Elizabeth Alice MacGraw â was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Aliâs father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
âDaddy was frightened and really, really angry. He never forgave his real parents for giving him up,â Ali explained, saying said her fatherâs adult life was spent âsuppressing the rage that covered all his hurt.â
Ali MacGraw â childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
âThere were no doors; we shared the kitchen and bathroom with them,â Ali said. âIt was utter lack of privacy. It was horrible.â
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Aliâs brother Richard became a victim for his anger at home.
âOn good days he was great, but on bad days he was horrendous,â she recalled. âDaddy would beat my brother up, badly. I was witness to it, and it was terrible.â
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harperâs Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a âflunkieâ. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
âIt was âGirl! Get me a pencil!â,â MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. Sheâd end up staying in that position for six years.
âI donât know where she got this work ethic, but Ali would come in at eight a.m., and many times Iâd come back at one in the morning and she would still be doing things for the next day,â Ruth Ansel, a former art director of Vanity Fair and Harperâs Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didnât take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that sheâd rather be an actress than a model.
Ali MacGraw â films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer â Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. Sheâd read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the filmâs producer Robert Evans â who at the time was Paramount Pictureâs head of production â at the Beverly Hills Hotelâs Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw â playing the role of Jenny â acted alongside Ryan OâNeal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture â Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
âI looked in those blue eyes, and my knees started knocking,â MacGraw recalled. âI became obsessed.â
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
âSteve was this very original, principled guy who didnât seem to be part of the system, and I loved that,â she said.
Ali MacGraw â Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
He didnât like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husbandâs demands were something Ali simply couldnât accept in the long run.
Not only that, but heâd explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if theyâd divorce. She abided by the agreement when they did divorce in 1978.
âI couldnât even go to art class because Steve expected his âold ladyâ to be there every night with dinner on the table,â she recalled.
âSteveâs idea of hot was not me. He liked blond bimbos, and they were always around.â
This was the start of a pretty dark time in MacGrawâs life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
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