While everyone at the Oscars 2024 was dressed to the nines, Pamela Anderson broke the norms. The 56-year-old actress ditched makeup and wore only her smile as an accessory, alongside her son who she shares with Tommy Lee.
A yellow, floral dress that stole the show.

At 56, the celebrated actress and writer graced the event in a dress as radiant as the morning sun. Adorned with sparkling sequins and delicate, translucent details, her gown was a vision of floral elegance. Her son, 27-year-old Brandon Thomas Lee, was her date to the Vanity Fair Oscar event and he complemented her style with a timeless tuxedo, complete with a classic bow tie.
Pamela’s make-up free look was refreshing to the eyes.
Pamela’s decision to embrace a makeup-free look was supported by her golden locks that framed her face with effortless grace. This isn’t the first time Pamela has attended an event bare-faced, the actress actually made a decision to go makeup-free a few months back and has stayed true to her word so far.
Her look received mixed reactions.

While fans praised Pamela for her bravery, many were not super happy about her choice and her dress. «Make up free is cool, but why did she start dressing in tablecloths?» commented a person. «I commend her courage…but there is a time and place for everything and this just ain’t it,» added another. Several people also pointed out that not wearing makeup is one thing but she could have at least gotten her hair done, «gorgeous, but can she at least comb her hair!», expressed a fan. «…the hair is tragic,» added another.
Wondering what made her embrace the natural look instead of the usual glam she was famous for? Read the story here.
5-Yr-Old Piano Prodigy Plays For 101-Yr-Old Grandma, Her Final Request Has Him In Tears.

Piano prodigy Ryan Wang hosted a special private concert for a very special admirer, 101-year-old Dorothy Landry, several months after dazzling audiences on “The Ellen Show” and performed at the esteemed Carnegie Hall. Ryan performed a touching recital of “Variations on an Inner Mongolian Folk Song” exclusively for Landry at the age of five, organized by Canadian digital music distributor CBC Music.
Dorothy, who has been a fan of Ryan’s since he was three, was unable to fully enjoy the performance at one of his previous concerts because of hearing issues. CBC Music realized this and arranged a private concert to provide her with a more intimate musical experience.
The small scene showed Dorothy in her wheelchair with Ryan sitting next to her, his feet hanging above the floor and his hands gripping a big teddy bear, both signs of his youth. Both of them were obviously moved by the concert; Ryan expressed how much he enjoyed performing for “Grandma Dorothy” and how it made her happy.

In return, Dorothy called Ryan a “very special little person” and expressed excitement about his upcoming performances.
She expressed her gratitude to Ryan and sincerely asked that he come see her again following his impending trip to China. This special musical relationship emphasizes the value of generational relationships and the universality of music.
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