Although the real-life outlaws Butch Cassidy and the Sundance Kid were close, actor Paul Newman admitted that he harbored some grudges against the young Robert Redford throughout the period of filming.
A true testament to their acting prowess, Redford as Harry Longabaugh, aka “Sundance Kid,” and Newman as Robert LeRoy Parker, aka “Butch Cassidy,” were convincing in their portrayals of the Wild West friends, notorious criminals who were eluding the law after a string of bank and train robberies.
The 1969 film, which was based on the actual outlaws, won four Oscars and is still regarded as one of the best Westerns ever produced. Four years later, in The Sting (1973), another caper movie starring two similarly attractive heartthrobs, the stars reunited.
Legends in their own right, Newman and Redford worked their magic when they were together. However, have you ever wondered how Hollywood’s A-listers get along away from the camera?When he was 44 years old, Newman, who portrayed Butch, admitted that he had been interested in the 33-year-old Redford’s 33-year-old character.
In a BBC Talking Pictures interview, Newman noted, “We have a lot of fun together, and we bounce off each other really well.” I would have wanted to play Sundance, he continued. With that cooled-out quality, I feel a little more at ease. It must be the simpler part, I suppose.
Redford was a budding star who won the Golden Globe for New Star of the Year in 1965 for his work with Natalie Wood in the movie Inside Daisy Clover.
After appearing in movies like Cool Hand Luke (1967) and Cat on a Hot Tin Roof (1958) with Elizabeth Taylor, Newman had already achieved superstardom.
Redford was cast opposite Newman, who was winning acting and directing accolades, in Butch Cassidy and the Sundance Kid after Steve McQueen turned down a role in the film. McQueen also declined parts in Dirty Harry, The French Connection, and One Flew Over the Cuckoo’s Nest.
The two celebrities weren’t truly friends at the time, according to Newman’s memoir, “The Extraordinary Life of an Ordinary Man: A Memoir,” the BBC reports.
Newman said, “You can’t depend on Redford. You’re never sure he’s going to be there. That’s simply discourteous.”
Their differences in working styles, according to Newman’s youngest daughter Claire Newman Soderlund, whom he fathered with his second wife Joanne Woodward, may have contributed to their conflicts.
She said, “My father was very much a stickler for timeliness and Bob, that was never really his strength. It was hard work for dad. He worked very hard at it because he wanted to be good and he wanted to be successful and Bob was more of a free spirit.”
When Newman passed away from lung cancer in 2008, Redford, who is now 86, told ABC News that, “It was just that connection of playing those characters and the fun of it that really began the relationship,” he said, reflecting on Butch Cassidy and the Sundance Kid. “And then once the film started, once we went forward, we then discovered other similarities that just multiplied over time, a common ground that we both had between us, interests and so forth, and differences.”
Newman and Redford looked into possibilities to collaborate on a third movie after portraying renowned outlaws and later thieves in The Sting, but it never materialized.
In Bill Bryson’s 1998 book of the same name, A Walk in the Woods, which was adapted into a 2015 movie, it almost happened. The plot of this buddy movie centers on two elderly guys who are out of shape and want to hike the challenging Appalachian Trail.
In 2005, Redford, who both appeared in and produced the movie, chose this script with his close friend Newman in mind.
In 2015, Redford said, “It started with Paul, because Paul and I had been looking for a third film to do together. A lot of time had gone by, and I just couldn’t find it. When I read this book… I thought of Paul right away.”
Redford, who was 79 at the time of the interview, claimed that he sent the book to Newman, who later cast Nick Nolte in the part because he wasn’t sure he could do it physically.
Since they initially worked together on Butch Cassidy and the Sundance Kid, the relationship between Newman and Redford, two highly regarded performers, has significantly deepened. The performers, who lived in Connecticut just a mile apart and started to act like brothers, are also close with their families.
Speaking after his buddy died, Redford said, “We both got to know each other’s flaws pretty well. Of course, I outweighed him on that front. But knowing each other’s flaws, we just played them to the hilt and we’d try to trick each other. We’d try to surprise each other, and it was so damn much fun that it became like–it became like a scenario unto itself.”
He added, “Paul really likes to have fun and he loves to laugh and he really especially loves to laugh at his own jokes, and some of them are just really awful. So the fact that he enjoyed them so much, you forget about the joke and you’d start to laugh with him because you’re so caught up in his enjoyment of them.”
Paul Newman and Robert Redford had such a great chemistry! Let us know what you think of their on-screen friendship and real-life romance!
She made waves in Hollywood with her blond hair & blue eyes, but look at her now
Kathleen Turner rose to fame in the 1980s as a result of her strength and beauty; many consider her to be one of Hollywood’s most beautiful actors.
Over the years, the actress has faced numerous challenging and favorable situations, and her perseverance has carried her through them both.Kathleen Turner was raised in a home with four other children, despite her difficult past.
She and her siblings were raised in both Venezuela and London. When she was a little girl, she tragically witnessed her father’s sudden death when he was mowing the lawn of their Hampstead house.
A month following his passing, the foreign service ejected Kathleen and her family from the United Kingdom. In Springfield, Missouri, where everyone was still grieving for their father and their previous home, Turner relocated her family.
Finally, Tuner felt at peace after moving to New York to pursue an adult acting career. Her major break came when she was hired as the femme fatale in the 1981 film “Body Heat,” despite her success on stage.
Turner was offered the opportunity to co-star with Michael Douglas in the well-known “Romancing the Stone” three years after sharing the screen with William Hurt. During filming, Douglas was going through a difficult divorce from his wife Diandra, and he started to feel a connection with Turner.
We were intensely flirting and exchanging intense, yearning glances as we were falling in love. Kathleen remarked, “Then Diandra came down and reminded me he was still married.”
In the end, she wed Jay Weiss, the movie’s real estate developer, in 1984. Soon after, the couple welcomed their only daughter together. October 14, 1987, was Rachel Ann Weiss’s birthday.
Regretfully, when the couple started parenting their daughter, their relationship started to fall apart.
“I would demand extended weekends or additional passes from the film studios so that my spouse and daughter could visit me. However, I felt bad since there was a feeling in the marriage that all the work was on his end. It terminated for a few reasons, including that. I began to experience extreme oppression. Kathleen said, “I thought, ‘Hang on a minute, you’ve done very well out of being married to me also.’”
When Turner played Martha in the 2005 Broadway production of “Who’s Afraid of Virginia Woolf?” their marital problems came to a head. Turner became incredibly busy performing in eight shows a week, and it seemed Weiss didn’t want to spend any time with her at home.
During that time, Turner was nominated for a Tony Award for her portrayal of Martha, and the two got along well.
The actress was nominated for an Oscar in 1987 for her role in “Peggy Sue Got Married.” She went on to produce several films in the 1980s, including three blockbusters starring Michael Douglas.
But in the 1990s, Kathleen experienced a medical setback when her neck locked, making it impossible for her to turn her head. Additionally, the swelling in her hands prevented her from using them.
Kathleen stated, “It was crippling.” When something is gone, even for a little while, you stop taking it for granted. What I took for granted was my athleticism, my capacity for forceful movement, and my freedom to move however I pleased. I had a genuine identity crisis when I lost that: “Who am I if I can’t do this?”
She was diagnosed with rheumatoid arthritis, which is characterized by swelling of the lining of our joints, and this was the tragic reason for her circumstances. Managing chronic pain caused by this illness can be difficult.
Kathleen remarked, “When it was first diagnosed, I was terrified because they said I’d be in a wheelchair.” “I reasoned that I couldn’t act if I couldn’t move. Not everything I want to do is act. I was destined for this. It’s present throughout my entire life. The most terrifying aspect was the thought of not being able to accomplish it, together with the ongoing discomfort.
Kathleen took drugs and alcohol to ease her pain. Her habit of drinking vodka led her to faint during dress rehearsals for plays such as the 2002 stage version of “The Graduate,” even if they made her job simpler.
The actress really checked herself into rehab after the show concluded, and it was found that she was not an alcoholic. Instead, she was told to just remember to take more notes on when she took her medications and any unfavorable side effects.
The actress now does pilates and yoga to help her stay flexible and manage her discomfort.
The famous person began to focus more intently on her career in theater while also improving her pain management. As she grew older, she largely returned to her roots, even taking the lead in a stage production of “Cat on a Hot Tin Roof” in her forties, even though she still worked sometimes in film and television.
“It was a little foresight on my part of which I am justly proud, because I knew that the better roles as I got older would be in theatre, which is absolutely true,” Kathleen remarked.
By focusing on the theater, the actress has had more time to pursue her passions, which include working for Planned Parenthood of America and volunteering for Amnesty International.
For most of her life, Turner has been an ardent feminist who has devoted her life to helping other women. Gloria Feldt’s 2008 biography of the actress, Send Yourself Roses, captures her thoughts perfectly.
As women, we are the first generation to achieve financial independence. Women are returning to the workforce, stated Kathleen. They’re redefining who they are. I believed I could contribute to that, even more. It therefore contains a great deal of philosophy as well as my personal beliefs.
What are your thoughts on Kathleen Turner’s difficult yet fruitful journey? Tell us in the comments below!
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