On a long flight, a woman’s patience is tested by a child who kicks her seat and parents who ignore the disruption. What begins as a frustrating ordeal soon takes a surprising turn, revealing that karma has a way of delivering unexpected lessons.
As I settled into my aisle seat for a seven-hour flight, I hoped for some much-needed relaxation. With a book in hand, noise-canceling headphones on, and a good playlist ready, I thought I was prepared for the journey ahead. The cabin was packed and the air felt stuffy, but I was willing to endure it for a peaceful trip.
Then it began. A soft thumping at the back of my seat started to grow louder. Initially, I dismissed it, thinking a child was just adjusting in their seat. But the thumping became a steady rhythm, kick, kick, kick, each hit harder than the last.
I turned around and saw a boy, around six or seven, swinging his legs and grinning as if he were having a great time. His sneakers repeatedly slammed into my seat, creating a mini drum concert. His parents, seated nearby, were glued to their phones, completely unaware of the chaos their child was causing. I hoped the boy would tire out soon, or that his parents would notice, but the kicks only intensified.
After what felt like an eternity, I finally decided I couldn’t ignore it any longer. I turned around, offering a polite smile and asked the parents to ask their son to stop kicking my seat. The mother barely acknowledged me, dismissing my request with a “He’s just a kid!” before returning to her phone. I tried again, but the father was too engrossed in a video to care. Sensing his parents’ indifference, the boy kicked even harder, laughing as if he were winning some game at my expense.
I pressed the call button for the flight attendant, hoping she could help. She arrived, friendly and professional, and I explained the situation. She approached the family, asking them kindly to stop the boy from kicking my seat. For a brief moment, there was silence.
But as soon as she walked away, the kicks resumed, even more forceful this time. Frustrated, I stood up and spoke louder, asking them again to control their child. The mother rolled her eyes, and the father muttered something dismissive. The boy laughed and kicked harder. At this point, I was fed up. I called the attendant again, asking if I could switch to another seat. She returned shortly with good news: there was a seat available in first class.
Without hesitation, I grabbed my belongings and followed her to the front of the plane. The first-class section was a welcome relief, spacious, quiet, and free of children. I settled into my new seat, and the tension melted away. I was finally able to relax, enjoying a drink and diving into my book.
As the flight continued smoothly, I overheard the attendants talking about my old seatmates. The boy had found a new target for his kicks, an elderly woman who had taken my place. When she asked him to stop, the mother snapped at her, escalating the situation to a shouting match that caught the attention of the flight crew. I felt a twinge of sympathy for the elderly woman but couldn’t deny the poetic justice unfolding. As we prepared to land, I noticed security vehicles waiting by the gate.
When we disembarked, I saw the family being escorted off the plane by security officers. The boy, who had been so bold earlier, was now crying, clinging to his mother. The parents looked embarrassed, no longer the dismissive people they had been. I left the airport feeling a sense of satisfaction that surprised me. Karma had intervened, allowing me to enjoy my first-class experience and witness a bit of justice served.
As I walked past the family, I couldn’t help but smile at them. It was a small gesture, but it felt like the closure I needed. Sometimes, the universe has a way of balancing things out, and that day, it certainly did. With my book finished and my flight experience greatly improved, I walked away with a story that would surely entertain friends in the future.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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