Carrie Bradshaw once said, “I will literally be the old woman who lived in her shoes.” But Sarah Jessica parker, the woman behind the sassy fashionista in the hit TV show Sex and the City, isn’t Jimmy Choo-obsessed, nor does she have a wardrobe filled with playful tutus and strappy slip dresses.Still, the confident 58-year-old actor is fielding hateful comments from the online population who can’t understand why her real-life persona is contrary to the modish character she plays.
Parker, who’s proudly aging naturally, gracefully and beautifully, answers back saying it’s, “just not a reality,” and “there’s no time to let vanity enter.” Keep reading to learn what the lovely Sarah Jessica Parker has to say about aging!
In her role as the beloved Carrie Bradshaw in Sex and the City, Sarah Jessica Parker served some iconic, oftentimes controversial, looks.
While her character was considered a trendsetter by women across the globe, Parker in real life, has never been an urban chic fashionista.
“It’s not the way I perceive myself, I’m so low on my priority list,” said Parker, who raised three children while she was at the height of her career. “I love beautiful clothes and am privileged enough to have access to a lot them…but they also are returned the next day. They are not mine.”
Keep reading to learn more…
In real life, the star admits that she prefers a practical style, which isn’t always popular with the demanding public.
Unsexiest woman alive
In fact, in 2008, she was named in a Maxim poll as the “Unsexiest Woman Alive.”
Shortly after she earned the unflattering title, Parker spoke with Grazia (through Daily Mail) and said, “Do I have big fake boobs, Botox and big lips? No. Do I fit some ideals and standards of some men writing in a men’s magazine? Maybe not.” The star of And Just Like That continues, “Am I really the unsexiest woman in the world? Wow! It’s kind of shocking when men…It’s so brutal in a way…”
Years later, the Family Stone star appeared at the Met Gala wearing a golden Dolce & Gabbana gown that she paired with an ornate nativity headpiece.
Though she was serving an incredibly unique and smashing look, the public only commented on her aging.
“Aye real quick, how old is Sarah Jessica Parker because [her] skin look like tree bark and I’m confused,” said one. A second writes, “Is that Sarah Jessica Parker? Oh gosh she looks so old and worn out.”
Then, in 2021, the Hocus Pocus star was lunching with Bravo star Andy Cohen. Parker was makeup free, her silvery hair tied back in a braided ponytail.
It didn’t take long for the online population to start spitting hate over her appearance. But, Cohen, who also has a head of grey hair, defended his friend.
“We were at lunch and there was a paparazzi, and she’s sitting next to me, white hair,” said Cohen, 55, of his own white hair. Speaking on The Drew Barrymore Show, he continued, “All the articles were ‘Sarah Jessica Parker, she’s going gray’ and ‘She looks old,’ and it was insanity.
Here she is sitting next to me, who’s gray, and people just missed the mark totally. It was so misogynistic.”
Following that, Parker spoke with Vogue and had a lot to say about unforgiving people and their unrealistic standards of beauty.
“There’s so much misogynist chatter… I’m sitting with Andy Cohen, and he has a full head of gray hair, and he’s exquisite. Why is it okay for him?” Parker continues, “‘She has too many wrinkles, she doesn’t have enough wrinkles.’ It almost feels as if people don’t want us to be perfectly okay with where we are, as if they almost enjoy us being pained by who we are today, whether we choose to age naturally and not look perfect, or whether you do something if that makes you feel better.
She adds, “I know what I look like. I have no choice. What am I going to do about it? Stop aging? Disappear?”
Influential woman
The title of “unsexist woman alive” was upstaged in 2022 when the Golden Globe winning actor was named by Time as one of its “100 most influential people in the world.”
Though she may not dress the part of Carrie, who’s the star of the TV series, two films and the reboot And Just Like That, Parker does own her own designer brand, SJP, which – not surprisingly – started as shoes.
The star of Honeymoon in Vegas is also a TV producer, the co-founder of the spirit “The Perfect Cosmo by SJP” (Carrie’s favorite drink), is involved with publishing, fragrances and has a wine label – to name a few.
And just like that
Also unlike Carrie and her hapless search for romance, the star of Footloose found love in the early 1990s with Matthew Broderick, the star of Ferris Bueller’s Day Off.
The adorable couple – who starred on Broadway together – married on May 19, 1997, and have been together ever since.
When Broderick was asked to reveal his secret for a successful marriage, he answered: “I don’t know the secret at all, but I, you know, I’m very grateful and I love her. It’s amazing. I mean, I can’t believe that it’s been that long. It doesn’t feel like it.”
The couple share three kids, son James Wilkie (born 2002), along with twins Tabitha Hodge and Marion Loretta Elwell, who joined the family in 2009, via surrogate.
The woman leads a busy life and should be applauded for her accomplishments, not criticized.
Speaking natural in real life, the actor said, “It’s not how I think of myself, and I think it’s probably the healthier approach.”
She continues, “It’s just not a reality – not when you have three kids, and you go to the market, and there are hungry people at home. You have a limited time to do it. There’s just no time to let vanity enter into that.”
The Architectural Ingenuity Of Elevated Storage In Vintage Homes
Consider entering your grandparents’ home, where every room had a story to tell and every corner possessed a relic. Of these, the oil lamp shelves placed on the walls to this day will make you feel the warmth that you used to experience while reading under them. These shelves, which were an important part of the early twentieth-century houses, were not just practical – they were a symbol of a time when the light of an oil lamp would unite family members in the evening.
Usually wooden or metallic, oil lamp shelves were commonly located in various parts of the house to ensure the light’s effectiveness. These shelves were frequently located on walls in the living room, bedrooms, and hallways. They were not randomly placed; they were strategically positioned to ensure that there was enough light for activities done in the evening such as reading, sewing or even family meetings.
The form of these shelves or niches was quite diverse, ranging from flat ledges to more complex constructions complete with guardrails to avoid lamp tip overs. In wealthier homes, these shelves may have been elaborately decorated or even incorporated into the design of the room, complete with carved-out niches and fancy trim that matched the rest of the house.
This was because oil lamps presented a fire risk due to the exposed flame. Shelves for oil lamps were therefore intended to keep the lamps stowed away from the everyday activities in the house while at the same time letting in the light. These were usually located in positions that were not easily accessible to children and not close to curtains or any other combustible material. This tactical positioning ensured that risks of fire breakouts were reduced to the barest minimum while issuing adequate light.
The existence of oil lamp shelves in old houses gives us an insight into the lifestyles and the technological advancements that were available at the time. Lighting was an important part of people’s lives before the use of gas and electric lights and this meant that the management of lighting was an important part of the daily routine and architecture. These shelves were an important part of the interior design and showed how people of that time managed to optimize the use of living spaces.
Today, oil lamp shelves in historic homes are kept for both their functionality and their historical and cultural value. In the modern homes where such shelves have been installed, they are used for storing candles, plant among other items to enhance the beauty of the house. This is because preservation measures always aim at preserving the original construction features and the material used in the construction in this case the design of the period.
Therefore, the shelves for oil lamps in old houses are not only practical furniture pieces, but they are also a symbol of the creativity of the previous generations and a link to the tangible world of the past. Such details give us ideas about the changes that were made by our ancestors and make us reflect on how these architectural landmarks should be preserved.
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