After her contentious support of Kamala Harris, pop icon Taylor Swift was reportedly heckled off The Ellen DeGeneres Show set in an unexpected development that rocked the entertainment industry. The infamously eccentric talk show host and singer of “Shake It Off” were set for a lighthearted discussion that quickly descended into chaos as viewers voiced their disapproval of Swift’s political views.
Swift’s latest entry into the political sphere has drawn criticism and raised suspicions among those who have watched her incredible ascent from rural darling to worldwide musical phenomenon. Swift, who was formerly renowned for holding her political cards close to the vest, has experienced a tremendous reaction following her endorsement of Kamala Harris in the 2024 presidential contest. On the Ellen set, this division was painfully visible as some of her admirers rallied behind the endorsement, while others felt left out.
The taping started off fairly innocently enough, with Taylor smiling broadly as she stepped onto Ellen’s famous white couch and the audience applauding. However, things rapidly changed when Ellen, in typical charming fashion, inquired about the Harris endorsement that had set up a social media controversy.
Ellen teased Swift with a smile, saying, “So, Taylor, let’s talk about that little tweet you posted about Kamala,” anticipating a lively exchange. But as soon as Swift spoke out to justify her decision, the tone in the studio changed from lighthearted to downright antagonistic.
The music sensation tried to defend her choice, but the first jeers came from the crowd before she could say more than “Kamala is my role model.” There were a few whispers at first, but in a matter of seconds, there was a roar of laughter and exclamations, “Get out of here!” that echoed throughout the studio.
Ever the professional, Ellen attempted to diffuse the tension by gesturing to the crowd with her hands. Guys, this is a nice show—come on! She begged, “Let’s listen to her out,” but it was ineffective. The audience wasn’t about to absolve Swift of her responsibilities because they had already made up their minds.
Ellen tried her hardest, but the jeers just got louder, bouncing off the walls and stifling any real conversation. Clearly shaken and taken aback by the animosity, Swift attempted to brush it off with a joke. But her smile turned to an unpleasant frown as the jeers got louder.
Swift said into the microphone, “I didn’t think this would happen,” as she looked across to Ellen, who was hopelessly shrugging while displaying a mix of shame and laughter on her face. This was unlike anything the talk show presenter, who was well-known for her laid-back chats, had ever seen.
With the clamor of criticism building to a crescendo, Swift rose to his feet and nodded pitifully at Ellen. She waved awkwardly at the audience and said, “I think I should go,” before the production crew escorted her off stage.
The increasing backlash from Swift’s political endorsement continues with this incident. In addition to splintering her following base, her outspoken support for Harris has significantly reduced ticket sales for her current Eras Tour.
Many critics contend that Swift made a mistake by entering politics, arguing that she would have been better off sticking to her strengths of creating music and avoiding contentious political matters. A disappointed former admirer said, “I loved her music, but I didn’t sign up for this political drama,” on the former Twitter platform, X. Taylor should refrain from meddling in elections and stick to entertaining.
Some critics were not so courteous. As they were leaving the taping, one audience member was heard to remark, “I used to think she was cool, but now she’s just another out-of-touch celebrity trying to tell us how to vote.” “I didn’t come here to hear Taylor preach politics; I came here to enjoy a fun Ellen show.”
Many observers weren’t blind to the irony of the scenario. Ultimately, The Ellen DeGeneres Show is renowned for being a secure, upbeat venue where visitors come to showcase their most recent endeavors and exchange humorous anecdotes. The fact that Swift was jeered off of an intimate stage like Ellen’s says a lot about the intensity of the criticism she is receiving.
Ellen, who is accustomed to controversy herself, appeared surprised at the ferocity of the audience’s response. A production team member for Ellen later stated that the part will not be aired in its entirety, leading some to speculate that the interview would not even be shown on the show. The source declared, “We’ve never seen anything like this before.” “Normally, Taylor’s fans are really encouraging, but today was really something else. It quickly became ugly.
Swift has not spoken anything on social media since the Ellen incident, leaving many to worry whether or how she will handle the situation. Swift’s staff, on the other side, has quickly distorted the facts, highlighting the value of free speech and her freedom to express her political opinions in a statement. The statement said, “Taylor believes in using her platform to advocate for the causes and leaders she believes in.” “Those who disagree with her or boo her will not silence her.”
Insiders, nevertheless, speculate that the singer may have been more shaken by the incident than her representatives are letting on. One person close to Swift claims that she was “devastated” by the jeers and sobbed as she exited the stage. The source claimed, “She wasn’t anticipating that kind of reaction at all.” “She expected to be able to share her perspective, but the crowd wouldn’t even allow her to speak.”
The backlash that followed Taylor Swift’s support of Kamala Harris serves as a sobering reminder of the dangers that celebrities who enter politics confront. Swift’s experience highlights how turbulent and polarizing the contemporary political atmosphere can be, despite the fact that many celebrities have effectively used their platforms to support causes and candidates.
Swift’s entry into politics has empowered some fans, who see it as evidence that their favorite musician is making positive use of her platform. However, for some, it has been a deal-breaker, making them wonder if they can still support an artist whose opinions they disagree with.
One thing is certain: Swift has a difficult road ahead of her as she struggles with the criticism. It remains to be seen if she can get past the backlash and mend her relationship with her admirers. But for the time being, she probably still hears “Get out of here!” a lot.
Kathleen Turner, star of ‘Serial Mom’ fame, has gone through ups and downs
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner had a rough childhood and was raised in a family with four children. She and her siblings grew up in London and Venezuela. Tragedy befell her at a young age when her father unexpectedly passed away while mowing the lawn of their Hampstead home.
A month after his death, Kathleen and her family were kicked out of the UK by the foreign service. Turner and her family settled in Springfield, Missouri, all still grieving their father and former home.
As an adult, Tuner finally found peace after moving to New York to pursue an acting career. She had some luck on the stage – but her biggest break came when she was given the role of the femme fatale in 1981’s “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
In 2005, Turner starred as Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” and it was then that their marital problems came to a head. Turner became incredibly busy while acting in eight shows a week, and it appeared that Weiss wanted no time with her when she was home.
The two divorced amicably during that time, and Turner earned a Tony award nod for her time as Martha.
The star had also earned an Oscar nomination back in 1987 for her role in “Peggy Sue Got Married.” Her film career was alive and well during the 80’s, and she starred in a variety of blockbusters–three of which were with Michael Douglas.
However, in the 90’s, Kathleen experienced a medical setback when her neck locked, not allowing her to turn her head. In addition, her hands swelled to the point where she stopped being able to use them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
The culprit of her misfortune wound up being rheumatoid arthritis, a condition characterized by the swelling of the lining in our joints. This condition causes chronic pain that can be difficult to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
Kathleen turned to pills and alcohol to manage her pain. While these helped her to work, the habit of drinking vodka led to her passing out during rehearsals for shows like 2002’s stage production of “The Graduate.”
The actress actually went to rehab after the show stopped running, only to find out that she was not an alcoholic. Instead, she was told she simply needed to better track when she was taking her medications and their side effects.
Today, the actress does yoga and pilates to help manage the pain and remain nimble.
While better managing her pain, the star really began to focus on her stage career. While she did still occasionally work in film and television, she returned largely to her roots as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.s
Focusing on theatre has also allowed the star the time to focus on her passions of hers, such as volunteering at Amnesty International and working for Planned Parenthood of America.
A staunch feminist for most of her life, Turner has turned her doubtless strength to uplifting other women throughout her life. Her ideologies are represented clearly in Gloria Feldt’s 2008 memoir of the star, Send Yourself Roses.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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