Getting inside the classroom every day and trying to cope with all those students who have different personalities and learn using different strategies isn’t that easy. However, watching a shy student raising their hand and speaking in front of the whole class, or seeing a struggling student getting an ‘A’ makes you realize that it’s all worth it. It requires only special people to be teachers, because not everyone can rise to the task of shaping young minds into compassionate and responsible people who’d become a valuable part of the community.
The ideal teachers always go the extra mile just to make sure their students are doing their best to achieve the most they can. This help usually expands outside of the classroom too. And even if this effort may not be recognized by the parents, the school’s principal, or the community, that doesn’t really mater, because teachers know how great of an impact they make.
One physical education teacher from Valdosta, Georgia was giving his students a lesson in basketball when one of them, a girl named Kristin Paulk, approached and asked him whether he could do her a favor. The teacher said yes even before he knew what she would ask. The girl then said: “Can you tie my hair in a ponytail?” The teacher didn’t think twice before he knelt down and started doing her hair. Meanwhile, a fellow colleague named Kandice Anderson noticed the quite unusual sight and decided to put it on tape. She later posted the video on her Facebook page, writing:
“When your job goes beyond teaching… #CoachO #Love”
Kandice only wanted to show her friends what it really takes to be a teacher, and never did she think the video would be seen more than 3 million times. The phys ed teacher had no idea his kind act vent viral and he became famous. People found this way too adorable, and he was featured on Good Morning America.
“It was shocking to me that it got that much attention because we all do it.”
The teacher has three children on his own so he happens to know how to make a ponytail. He jokes how his expertise in hair styling stops there and if sweet Kristin wanted a more complex hairstyle she should have probably asked someone else to do it for her.
Kristin’s mother was also a guest at Good Morning America where she shared how she felt like after watching the video. She says she is more than happy knowing her girl has a teacher who cares so much.
We hope there are more teachers like this coach out there, who would do anything for their students’ well being.
This video is the sweetest thing you’ll see all day.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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