“Ain’t It Always That Way” by Vince Gill is one of those songs that, rather than coming at you with a great boom, enters your heart slowly and stays there long after the last note dies. If you’ve ever thought back on the little ironies in life or the bittersweet quality of love, this song will seem like an old friend who really knows it.
Vince Gill’s gentle, honeyed voice carries us through the well-known highs and lows of life and love. This song is dedicated to all those who have had to confront the bittersweet reality that hopes and plans don’t always turn out the way they had hoped. But isn’t that simply the way life is?
With a genuine and moving performance, Gill expertly captures the complex facets of life’s unpredictable nature. The song seems to be a meditation on those moments when you realize that, believe it or not, the cosmos sometimes arranges things in a humorous way. This song finds its voice during those melancholy, dejected moments when you can’t help but laugh at how ridiculous everything is.
A simple yet heartfelt melody surrounds the lyrics, making it feel warm and inviting on a cold night. Because of the acoustic arrangement and Gill’s sympathetic performance, which seems like he’s speaking to you, the song feels more private and intimate.
What makes “Ain’t It Always That Way” unique is how relatable it is. Everyone has gone through moments in life when something we took for granted slips through their fingers and surprises us. But there’s a certain beauty to that unpredictable quality—a reminder that life is a journey with lots of twists and turns, and that’s okay. Rather than dwell in sorrow, the song subtly suggests the tenacity we all possess, even in the face of misfortune.
In the end, this song is a reminder that, in spite of all of its imperfections and surprises, each minute of life is precious. “Isn’t It Always That Way” offers comfort on the journey, regardless of whether you’re reflecting on missed opportunities, heartbroken relationships, or life’s inequalities.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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