While helping her mother, Sarah, move into a new house, Natalie stumbles upon an old photograph hidden in a box. It shows a young Sarah holding a newborn baby with a distinctive birthmark on its cheek. But Natalie never had a birthmark. Confused and unsettled, she realizes there’s a secret her mother has been hiding.
Natalie adjusted her grip on the heavy box, glancing at Sarah, who was busily sorting through their belongings. It felt strange, this new feeling—admiration. For years, she had begged her mother to leave Ross, warning her about his manipulative ways.
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“You deserve better,” she’d say, but Sarah never listened. Each time she walked away from Ross, she’d return, swayed by a shiny necklace or an expensive dinner. But now, things were different. Sarah had finally found the strength to break free.
Watching her mother carry on despite the fear in her eyes, Natalie couldn’t help but feel a new kind of respect.
“I can’t believe this is actually happening,” Sarah said, her voice trembling as she looked around the empty house. It was a new beginning, but fear lingered in her eyes.
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Natalie paused, watching her mother. “How do you feel about everything?”
“I’m scared, Natalie,” Sarah admitted, her shoulders slumping. “I don’t know if I can do this.”
“I get it, Mom. It’s okay to be scared. But remember, you did the right thing.”
Sarah wrung her hands, glancing at the floor. “What if I go back to him again? What if I can’t make it on my own? What if I fail?”
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“You won’t, Mom,” Natalie said firmly. “You’ll figure it out, and I’ll be here with you. You’re not alone in this. You have me, your one and only daughter, and I’m not going anywhere.”
Sarah looked up, and her eyes filled with unshed tears. Her brow furrowed, lips quivering.
“Mom, are you okay?” Natalie asked, concerned.
“Yes, yes. Sorry, I just got lost in thought.” Sarah forced a smile.
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They started unpacking, trying to focus on the small tasks. “You sure kept a lot of stuff, Mom,” Natalie remarked, lifting another heavy box.
Sarah called from the other room, “Oh, really? I seem to remember a certain college student with a mountain of boxes.”
Natalie chuckled, shaking her head. “Okay, okay, you got me there. But I’m different now. I’ve learned to let go.”
She pulled open a dusty box, revealing a stack of old photo albums. She brushed off the top one and flipped it open, smiling as she saw herself as a toddler, playing in the backyard, dressed in funny Halloween costumes, and grinning with a gap-toothed smile.
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Page after page, she saw Sarah’s smiling face next to hers, but she avoided the photos that showed Ross. She flipped past those quickly, a sour feeling building in her chest whenever his face appeared.
Once she finished the albums, she reached the bottom of the box and noticed an old envelope. It looked out of place, hidden away like a secret. Curiosity took over, and she carefully opened it.
Inside was a single photograph. It showed a much younger Sarah, looking tired but joyful, cradling a newborn in her arms at the hospital. Natalie squinted at the baby, her smile fading. A large birthmark covered the baby’s cheek.
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She flipped the photo over and read the date. It matched the day of her own birth. Her heart skipped a beat, confusion filling her mind. “But I never had a birthmark,” she whispered to herself, scanning the photo again. A chill ran down her spine as dread settled in. Something wasn’t right.
Natalie stormed into the bedroom, gripping the photograph tightly. “Mom? Don’t you have something to explain?” she demanded, holding the picture up for Sarah to see.
Sarah’s eyes widened, and she froze, clearly flustered. “Uhh… Natalie… where did you find that?” she asked, her voice shaky.
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“In the box with the photo albums,” Natalie replied coldly.
Sarah swallowed hard. “I can explain. It’s… it’s just the baby of a woman who was sharing the hospital room with me.”
Natalie narrowed her eyes. “Really? And you’ve kept it all these years? Why would you hide it in an envelope?”
“I—I don’t know,” Sarah stammered, rubbing the back of her head. “It’s nothing, Natalie.”
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“Don’t lie to me, Mom,” Natalie shot back. “You always do that when you lie. What’s going on? Who’s this baby?”
Sarah sighed, her hands trembling. “It’s complicated, Natalie. It was a long time ago…”
Natalie crossed her arms. “Then start explaining.”
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Sarah took a deep breath, sitting down on the edge of the bed. “Alright. But promise you won’t hate me.”
“I can’t promise that,” Natalie replied sharply. “Just tell me.”
Sarah closed her eyes for a moment, collecting her thoughts. “When your father and I first got married, we didn’t have much. We were poor, barely scraping by.”
Natalie huffed, her impatience growing. “I know all that, Mom.”
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Sarah nodded. “Then, when I got pregnant, we were excited but scared. We didn’t have the money, but we wanted to keep the baby. When we went for the second ultrasound, they told us we were having twins.”
Natalie blinked, the revelation hitting her like a wave. “Twins?”
Sarah nodded, tears welling up in her eyes. “Yes. But your father… he didn’t take it well. He said we couldn’t afford two children. He wanted me to have an abortion, but it was too late.”
Natalie’s breath caught in her throat, but she remained silent, waiting for her mother to continue.
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“When you were born,” Sarah whispered, “you had a sister. But then… your father brought two strangers into the hospital room. He said… one of you had to go. I begged him, Natalie, I did. But he had already made up his mind.”
Natalie’s hands tightened into fists. “You let him take her?”
“I didn’t have a choice,” Sarah sobbed. “I didn’t want to lose either of you.”
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Natalie stood, her chest heaving with anger. “So, I have a sister—a twin—and you never told me? You let her go, and you stayed with him after that?”
“I loved him,” Sarah whispered, tears falling freely.
Natalie glared at her, her voice trembling with rage. “You loved him more than your own child! I knew you weren’t the best mother, but this… this is worse than I ever imagined!” She turned toward the door, her mind racing.
“Natalie, please—”
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But Natalie didn’t stop. She ran out of the room, out of the apartment, leaving her mother’s cries behind her.
Back in her apartment, her hands shook as she typed out a message to Sarah:
Who did you and Dad give her to?
Minutes passed, each one feeling like an hour. When Sarah finally replied with the information, Natalie’s heart hardened. She blocked her mother’s number without hesitation, determined to find answers on her own.
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Through a few quick searches on social media, she found out her sister’s name—Amber. She lived in a neighboring state. Without a second thought, she booked a plane ticket and boarded the flight that same afternoon, her mind racing with questions.
When she landed, Natalie called a cab, and the driver took her to Amber’s address. The cab stopped in front of a charming, two-story house with a big, well-kept yard. Natalie sat in the backseat, nerves building as she stared at the house.
“Lady, I can’t sit here all day; some of us have jobs,” the cab driver snapped.
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Natalie shot him a quick, irritated look and got out of the car, her legs unsteady. She walked up to the fence, clutching it tightly for support. Her breath caught when she spotted a woman who looked just like her, except for a birthmark on her cheek—Amber.
Amber was playing with a little boy while a man, probably her husband, laughed beside them. An elderly couple sat nearby, holding hands, their smiles warm and gentle. When they leaned in for a kiss, it reminded Natalie of a love she had never seen between her parents.
“Mom, Dad, come on, show some restraint,” Amber said with a grin as she watched her parents kiss.
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Just then, two older women walked by and noticed Natalie by the fence. “Hi, Amber!” one of them greeted her warmly, mistaking her for her twin.
Natalie hesitated, caught off guard. “Oh, uh… hi,” she replied awkwardly, forcing a smile.
The women continued walking, not noticing the confusion, while Natalie tried to steady her nerves.
Natalie took one last look at Amber’s family. They seemed so content, like a picture-perfect scene from a commercial. Amber was laughing with her little boy, while her husband joined in, and her parents sat nearby, relaxed and happy.
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It was clear they were close, a real family, and Natalie felt a sharp pang in her chest. She realized then that she couldn’t disrupt that happiness. With a heavy sigh, she turned away, her heart aching but resolute.
She couldn’t be the one to ruin Amber’s peace. As much as it hurt, she knew it was the right thing to do.
The next morning, Natalie flew back home, still haunted by what she’d learned. Without fully understanding why, she found herself calling a cab to her mom’s house.
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As she arrived, she saw her dad’s car pulling away. Her heart sank, and she feared the worst. She stepped out and knocked, and Sarah opened the door almost immediately.
Natalie looked at her mom, her voice sharp. “Was Dad here?”
Sarah hesitated, then nodded. “Yes.”
Natalie felt her stomach drop. “So, you forgave him. Again.”
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Sarah glanced down, fidgeting with her hands. “He brought me a necklace,” she said softly. “It’s beautiful…” Her voice faded as she spoke.
Natalie sighed, her shoulders slumping. “I see,” she said, turning to leave, feeling the familiar sting of disappointment.
Before she could step away, Sarah spoke again, her voice stronger. “But I told him to go to hell.”
Natalie stopped, stunned. She turned back, searching her mom’s face. Seeing the truth there, she stepped forward and pulled her into a tight hug. They clung to each other, tears streaming, finally finding a sense of relief.
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Сlаudiа Саrdinаlе: Неrе’s whаt thе Itаliаn film iсоn lооks likе аt 85
Claudia Cardinale is Italy’s counterpart to France’s Brigitte Bardot. She quickly rose to stardom to almost just as quickly disappear from the scene later on. Now, Claudia Cardinale celebrates her 85th birthday.
The Italian star was originally discovered at a beauty contest held in 1957 by the Unitalia film company. The “most beautiful Italian woman of Tunis” subsequently won a trip to the Venice Film Festival that was to become a decisive turning point in her life. The sultry young woman was born on April 15, 1938, in Tunis, the capital of Tunisia. Her mother was French, and her father Italian.
In 1958, Cardinale, known as CC, played her first role in “Goha” opposite Omar Sharif before being trained as an actress at the Italian Film Academy in Rome. Her talents as an actress renowned for her dauntless rambunctiousness gained her fame, and her gaze into the camera became legendary.
Famous director Luchino Visconti gave her minor roles in “Rocco and his Brothers” (1960), as well as in the historical drama “The Leopard” (1962) with Alain Delon. As she later recounted in a biographical interview, she rebuffed all of her famous film partners, Jean-Paul Belmondo, Marcello Mastroianni, Alain Delon and Burt Lancaster.
A beauty queen turned into a film diva
Cardinale is Italy’s counterpart of Brigitte Bardot. But in contrast to Bardot, Cardinale never appeared nude in a film: “I always thought it was more erotic to leave some room to imagination, hinting at things rather than showing everything,” she told the German magazine Stern in 2014.
CC achieved her breakthrough with her performance in the highly popular Italo western “Once Upon a Time in the West” (1969). The classical western directed by Sergio Leone and starring Henry Fonda and Charles Bronson was shot in Rome’s Cinecittà studios and in Spain with some scenes set in Utah’s Monument Valley. The film that flopped in the US only acquired cult status in Europe.
CC’s career already saw a downswing in the 1970s. She then turned to television films, especially entertainment films where she showed some talent as a comedian. She got her last main role in a movie in 1971 when she starred opposite her main rival, Brigitte Bardot, in the Italo western comedy “Frenchie King.”
Spending time in a jungle with Werner Herzog
Ten years later, CC starred in German director Werner Herzog’s historical film “Fitzcarraldo” (1981). Although Claudia Cardinale had a difficult time enduring the bouts of anger of her eccentric film partner Klaus Kinski, she greatly enjoyed shooting and working with director Werner Herzog: “Being in the middle of the jungle with insects all around me and nothing to eat was one of my most wonderful adventures,” she later stated.
Claudia Cardinale and other heroines of European film
Claudia Cardinale is seen as Italy’s counterpart to France’s Brigitte Bardot. The actress who became a star in the 1950s and 60s now celebrates her 85th birthday.
Claudia Cardinale
She’s the youngest of Italy’s three major female stars. Claudia Cardinale worked with outstanding directors like Luchino Visconti and Federico Fellini. She fascinated audiences with her charming smile and acting skills in westerns, among them “Once Upon a Time in the West” and “The Professionals” (pictured).
Gina Lollobrigida
One of the most highly acclaimed European stars of the 1950s and 60s was Gina Lollobrigida who was born in the East of Rome in 1927. “Lollo” even made it to Hollywood where she was equally showered with praise. In the 1970s, however, she withdrew from showbiz.
Sophia Loren
Another Italian actress, Sophia Loren, who was a few years younger than Lollo, became her fiercest rival. The mutual hatred and jealousy of the two stars was a frequent topic in tabloids. In contrast to Lollobrigida, Sophia Loren continued to perform in movies even as an older woman.
Brigitte Bardot
During the same time, another sexpot rose to stardom in France with movies like “And God Created Woman” and “Love is my Profession.” Brigitte Bardot, the superstar of the Grande Nation, withdrew from film production in the 1970s to devote herself to animal rights causes.
Catherine Deneuve
A decade later, Bardot’s compatriot Catherine Deneuve broke onto the film scene. Deneuve differed much from both Loren and Lollo by playing roles as aloof and myterious women early in her career. Deneueve’s talent as an actress guaranteed her success throughout her life.
Romy Schneider
The two decades between 1960 and 1980 were also the golden era of German-French actress Romy Schneider. Born in Vienna, she made her breakthrough in the German-speaking world as “Sissi” before moving to France. In Paris, she became one of the most charismatic and impressive actresses of European film scene. But in her private life, she was anything but lucky. She died in 1982.
Penélope Cruz
One of the most famous Europen actresses in recent decades is Spanish actress Penélope Cruz. Cruz started her career in her home country before achieving fame in other European countries and, finally, Hollywood. Her performances received a lot of acclaim, especially in films by director Pedro Almodóvar, among them “Volver” (pictured).
Irene Papas
After 1945, actresses from smaller European nations were able to conquer the hearts of audiences across Europe. One of them was Irene Papas who is also renowned as a singer in her home country, Greece. She celebrated her biggest success in “Zorba the Greek” (1964) before also working in other European countries, and in Hollywood.
Tatjana Samoilova
While films from Italy, France, Germany and England dominated the film scene during the postwar era, it should not be forgotten that eastern Europe had much to offer too. One of the biggest female stars of Russian film was certainly Tatjana Samoilova who achieved world fame with the movie “The Cranes are Flying” (1957).
Krystyna Janda
Polish actress Krystyna Janda became known in the 1970s for her performances in films by Polish director Andrzej Wajda. She then performed in international co-productions with stars like Lino Ventura. In her home country, Krystyna Janda is also known as a singer and an an author.
In 1993, CC received a Golden Lion for lifetime achievement at the Venice Film Festival to be followed in 2002 by an “honorary bear” at the Berlinale. The spirited actress performed in more than 100 films.
In 2017, CC once again drew attention at an international film festival. A photo depicting her as a young actress embellished a placard in Cannes where she had often been invited as an honorary guest. On April 15, Claudia Cardinale will turn 80. Happy birthday!
This article was originally published April 15, 2018 and updated.
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